Word: sensualness
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Dates: during 1960-1969
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...magazine, Avant-Garde, which promises to emulate if not outdo Eros. One page of a recent ad shows a girl, eyes shut, mouth open, in ecstasy. On the opposite page is prose to match, describing the magazine's contents: "An orgasm of the mind. Total immersion in sensual pleasure. Love on a mink blanket...
...natural and tend to collapse under stress. Seeking a really nonviolent community, anthropologists point with hope to the peace-loving pygmies of the Ituri rain forest in the Congo. Unlike other men, those "primitives" have no male-warrior hangup; they retreat from power-seeking neighbors-and hugely enjoy the sensual pleasures of eating, drinking, sex and laughter...
...movie begins with a sobersided lecture by a bearded sexologist whose recondite Kinseyisms are interspersed with pornographic slides. Eventually, the action leads into the story of Isabela (Eva Ras), a sensual-mouthed switchboard operator who begins an affair with a sad-eyed ratcatcher (Slobodan Aligrudic). As the affair progresses, time begins to dissolve. Suddenly it is the future: she is dead, drowned in a well, while police search for her lover. Back in the present, the graphic lovemaking of Isabela and her ratcatcher is punctuated by an illustrated lecture on sanitation. Once again, it is the future, as her nude...
...other director would have dared to try, or could have brought off half so well: Alphaville's portrayal of the future as nightmare, achieved through location-shooting in present-day Paris; the bittersweet evocations of prewar Hollywood musicals in A Woman Is a Woman; the female mood of sensual boredom in The Married Woman...
...relationship between the two girls, and for a while the triangle is a well-established and valid dramatic situation. But the creaky, mechanical ending (for which Lawrence deserves the blame) is a culpable copout. The actors deserve better. Anne Heywood, despite her non-derangeable makeup, is suitably tense and sensual, while Keir Dullea at least looks remarkably like a fox in a henhouse. And Sandy Dennis makes the neurotic Jill fully as enraging and pathetic as she should...