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...Checkpoint Charlie, the hideous maw of the Berlin Wall gapes briefly, affording a narrow passage into the divided German soul. On its Western side, a sea of sensuous color rushes down the Kurfurstendamm, past the ruins of the Kaiser Wilhelm Memorial Church, and spends itself violently but impotently in a scatological orgy of graffiti against the cold barrier. On the Eastern side, a pall hangs over the city, reflected in the rigorously functional, regimented gray apartment blocks that line the streets. Propelled by the engine of the postwar Wirtschaftswunder, the capitalist Federal Republic of Germany is a sporty blond racing...

Author: /time Magazine | Title: Music: Bach and Handel At the Wall | 3/25/1985 | See Source »

...JUST that John Travolta looks ridiculously dated when he gyrates in his polyester disco-duds, while Astaire and Kelly weather 40 years with undiminished grace. Or that Flashdance, for all its sensuous verve, is just another rock video...

Author: By John P. Wauck, | Title: Reliving Glory | 1/23/1985 | See Source »

...turn wildly glib and goofy when they design furniture, Aalto took his chairs and stools seriously. An exhibition at New York City's Museum of Modern Art, "Alvar Aalto: Furniture and Glass," shows his winning virtues as a designer writ small. The best pieces are bareboned but sensuous, simultaneously playful and serene. Aalto designed objects that were likable. The furniture at MOMA is so quiet and good-natured, in fact, that the show has an almost bashful...

Author: /time Magazine | Title: Design: Still Fresh after 50 Years | 11/19/1984 | See Source »

...ballet requires both precision and musicality of its dancers. While the corps looks ragged at times, the principal dancers, Mouis and Donn Edwards, excel. Edwards, technically correct and understated in his dancing, unfortunately is overpowered by his partner. Mouis, with a lovely natural line, displays accuracy combined with a sensuous, playful air. While the others dance on the beat, Mouis, presenting an expressive carriage and port de bras, interprets the music and dances with it. The only dancer sure enough in her performance, Mouis surpasses mere execution...

Author: By Anne Tobias, | Title: Getting the Willis | 10/20/1984 | See Source »

...Quentin, Frank Langella at first seems too sensuous to be playing the kind of man who sins only so he can suffer. By the second act, however, when Quentin is mud wrestling with Maggie's demons and making them his own, Langella has captured the character's soul; he is stooped, obsessive, spent. As Maggie, Dianne Wiest is an inspired piece of miscasting...

Author: /time Magazine | Title: Theater: Wounds That Will Not Heal | 10/15/1984 | See Source »

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