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Brooklyn-born Richard Tucker, 41, is gifted with vocal equipment capable of a lyrical, sensuous legato and a ringing, exciting fortissimo. Beyond that he gives credit for his eminence to 1) the late Tenor Paul Althouse for teaching him, 2) former Met Manager (and former tenor) Edward Johnson for bringing him into the Met, and 3) Rudolf Bing for elevating him in roles and income. "I was making $6,000 as a cantor when Mr. Johnson offered me $95 a week to join the Met," says Tucker. "When Mr. Bing came here, I was singing for $350 a week. When...

Author: /time Magazine | Title: Music: Much Ado About Tenors | 4/16/1956 | See Source »

Latin Brio. The neo-pagan life of love and love of life revealed to Carmela in these reveries make The Film of Memory a sensuous shelfmate to David Garnett's recently published Aspects of Love (TIME, Jan. 30). French Novelist Maurice Druon, a Prix Goncourt winner, applies Latin brio and an urbane Gallic prose style to his tale, and he can navigate the rapids of a zany stream of consciousness without drowning the reader...

Author: /time Magazine | Title: Books: Remembrance of Loves Past | 4/2/1956 | See Source »

...Patrick's affections. By novel's end, Soula has died at her brother's hand. Resignedly estranged from each other, Patrick and Iris leave Corfu chewing the bitter rind of memory, all that is left of their brief repast of the juices and joys of the sensuous life...

Author: /time Magazine | Title: Books: Island Interlude | 3/26/1956 | See Source »

...hemi-Ophelia, but her softness is a fine contrast to the hard shape of Richard. Pamela Brown as the king's mistress, a role tellingly interpolated by Olivier, is magically effective; she says but four words ("Good morrow, my lord"), but she hangs in the offing like a sensuous portrait by Rubens, and fills the court with just the kind of sexual music Shakespeare meant when he spoke of "the lascivious pleasing of a lute...

Author: /time Magazine | Title: Cinema: The New Pictures, Mar. 12, 1956 | 3/12/1956 | See Source »

...certain astonishment-for I had made the 'great circle,' coming back after 35 years to an art that was, superficially, not unlike the canvases of my youth." From the '205 through the '405, Macdonald-Wright had deserted his theory for experimental work ranging from sensuous figure studies to Braque-like still lifes. But after a trip to Japan four years ago, he began working again in the style of his earlier abstractions. Studying Japanese art and Oriental philosophy, he found a strength and "interior realism" that he felt was the missing element in his Paris paintings...

Author: /time Magazine | Title: Art: West Coast Pioneer | 3/5/1956 | See Source »

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