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Eyes Like Almonds. Jamini Roy is as different from most of his fellow Indian artists as curry from ice cream. Most young Indians who go to Europe to study art turn out either politely classic or dutifully modern work. Other Indian painters stick to the brutally, sensuous Brahman school of temple art or turn out dreamy, idealized mythological figures. But almost all ignore India's primitive, bold village art. Not so Jamini Roy, who has drawn much inspiration from it and combined it with a slick modernity. His tempera panels show village girls, Bengali dancers, mothers and children, such...

Author: /time Magazine | Title: Art: Brightness from Bengal | 9/7/1953 | See Source »

...vocal that has a hint of Johnnie Ray's edginess and intensity. But the voice is sometimes so concealed in foggy echoes that it might be Garbo singing. With a wispy accompaniment of harp and organ. Songstress Harp runs the gamut from artfully seductive (in Paradise) to reflectively sensuous (in By the Bend of the River...

Author: /time Magazine | Title: Music: New Pop Records, Sep. 7, 1953 | 9/7/1953 | See Source »

Appearing as the immortal Anna Pavlova, Tamara Toumanova convinced me that she is every bit as immortal as the great Pavlova. Delicate, sensuous, and with an unforgettable, fragile beauty, I am sure she does not have an equal on the ballet stage. She floats, rather than dances, through Saint-Saen's The Swan and Anton Rubinstein's Valse Caprice...

Author: By E. H. Harvey, | Title: Tonight We Sing | 4/21/1953 | See Source »

...slanting, catlike, green eyes; she bobbed her hair and wore black bangs with spit curls. She was hardly out of her teens when the Left Bank became the last stop for the lost generation. Suddenly she was"'Kiki of Montparnasse"-a mascot. She is the sensuous young nude in the misty photographs in which Man Ray typed the period...

Author: /time Magazine | Title: FRANCE: Violets for Kiki | 4/6/1953 | See Source »

...strongly pervaded the evening that I, for one, found myself judging these other works by 16th century standards. Thus Verdi's setting of Dante's Hymn to the Virgin Mary seemed maudlin after the more ethereal fervency of Palestrina. I do not know whether Verdi's melodramatic climaxes and sensuous cadences are inherently unsuited for religious music, but their operatic association have certainly made them so for me. Even Mozart did not fare well in such company, perhaps because the firmly established tonalities of his Ave Verum Corpus seemed restrictive and sentimental when placed next to the more highly flexible...

Author: By Alex Gelley, | Title: Glee Club Concert | 3/16/1953 | See Source »

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