Word: sentimentals
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Dates: during 2000-2009
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...Anne and Mary's sisterhood and sibling rivalry. Having both bedded the King of England, can they kiss and make up? This being more a Masterpiece Theatre episode than a pay-TV romp à la The Tudors, it never leaves you in doubt that noble sentiment will win out over sexual intrigue, that hanky will trump panky. The resulting melange isn't awful, but you'll be forgiven if you wait for the DVDs of The Other Boleyn Girl - this one and the TV movie - for a leisurely home-viewing to compare and contrast...
...Breaking Bad” is without any charms. The unique setting of Albuquerque, New Mexico adds regional flavor to the show. I’m also inordinately fond of Walter’s cerebral-palsy afflicted son, Walter, Jr., who’s played without a hint of maudlin sentiment by the excellent RJ Mitte. Anna Gunn does the best she can with the role of Walter’s meddling wife Skyler, but her part needs to be toned down a touch if the character is to be at all sympathetic. In general, this is probably...
...himself today, as his wife's presidential campaign fights for its life in Ohio and Texas. What is harder to figure out is how much of the blame for her predicament belongs to him. "I think he just did her such damage," says a friend and supporter, expressing a sentiment that many feel privately. "They'll never see it that way, because they can't. And he has no self-knowledge. This has magnified all his worst traits...
...Harvard students crooned along with the band’s hit, “Semi-Charmed Life.” “I want something else,” the song goes—and students chanted along with the band. But for some, these lyrics carry genuine sentiment: When it comes to the artists that the College Events Board (CEB) chooses to perform at Harvard each spring, many of us wish that we were watching something—or someone—else. The CEB is in the unfortunate position of having to lure 6,500 unique undergrads...
...outshone by a droll Dutch gem, Tanghi Argentini, and a Danish hospital weepie, At Night. In a year when the best foreign-language films weren't even nominated, the Oscar went to The Counterfeiters, an Austrian drama about (really?) the Holocaust. Points to it, though, for lacing its noble sentiment with the bleak cynicism of a forger who remains devoted to his craft under the worst circumstances. In Feature Documentary, a strong category this year, the Guantanamo exposé, Taxi to the Dark Side, beat out the better-known (and also excellent) No End in Sight and Michael Moore...