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Hartley's work was better served by Jo seph Losey and Harold Pinter a couple of years back in The Go-Between. Once again, as in The Go-Between, class consciousness induces a terse, desperate kind of sexuality, then thwarts it. But there the similarity ends. Robert Shaw portrays a stolid, ambitious owner of a small hired-car firm. Sarah Miles the balmy aristocrat whom he chauffeurs and who drives hi, in turn, to excess es of frustration. Miles' meager talents, her shrill, spindly posturings, have lost through incessant repetition the small novelty they might once have...

Author: /time Magazine | Title: Cinema: Quick Cuts | 7/9/1973 | See Source »

...play is as inert as a stone, and Jo seph Wiseman as Oppenheimer is mannered, overly European and brittle. One sees in him neither the passion for pure science nor the intellectual arrogance that one feels were intrinsic characteristics of Oppenheimer. The play, if it is to qualify as drama, ought to tingle with the anguish of a man torn between his country and his conscience. Instead, it is misted over with sadness - as of a man or woman deeply drawn to two equal loves, who must, in the nature of things, lose...

Author: /time Magazine | Title: Repertory: Operation Rehash | 3/14/1969 | See Source »

Notre Dame Law School Dean Jo seph O'Meara offered another way out. In a recent comment on Jacobellis, O'Meara urged the court to restore local option in obscenity cases and "recognize the jury as the authentic alter ego of the community, reflecting its morals and mores more truly than even the wisest of judges...

Author: /time Magazine | Title: The Supreme Court: The Obscenity Chore | 12/17/1965 | See Source »

...Terence Rattigan. Last season Charles Boyer starred in Lord Pengo, a tracing-paper-thin characterization of Art Wheeler-Dealer Jo seph Duveen. Boyer was slyly fascinating; the play provoked yawns. In Man and Boy, Boyer plays Gregor Antonescu, a blurry blotting-pad version of the 20th century's master swindler, Ivar Kreuger. Boyer makes a charming cad; the play is a jaw-aching bore. If the evening proves anything, it is merely that actors who are graded 100 for talent sometimes get zero for judgment...

Author: /time Magazine | Title: Theater: Rococo Rotter | 11/22/1963 | See Source »

Frau Funk petitioned Chancellor Konrad Adenauer to grant them amnesty and was trying to enlist the support of some politicians in Bonn and of Cardinal Jo seph Frings, archbishop of Cologne. Busy with signing the peace, West German officials took little note of her plea...

Author: /time Magazine | Title: GERMANY: The Seven Inmates | 6/2/1952 | See Source »

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