Word: sepia
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Dates: during 1960-1969
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...movie opens in 1923 and immediately reflects the sepia-tinted, ignorance-is-bliss tenor of that carefree era. There are the flappers doing their frenetic Charleston, the dastardly villains and wistful heroines of the silent screen. Soon a couple of European political upstarts make their appearance: A. Hitler and B. Mussolini. Moving through the Great Depression and World War II, the film traces the ever more sophisticated use of all communications forms-radio, candid camera, wireless photos, TV -to capture the substance and essence of the times...
When the well first blew out, the problem was certainly serious. Hundreds of birds died in the sepia goo. Lobsters, clams, mussels, fish and untold other small ocean creatures were destroyed...
...voluptuous Renoir, After the Bath, painted in 1876, is the twin to one in Moscow's Push kin Museum. Also on view are outstand ing paintings by Cezanne, Delacroix, Millet, Manet, Monet, Degas and Corot. But, for many critics, the most exciting works were four oils and two sepia sketches of the view through his window by the German Romantic, Caspar David Friedrich, who died in 1840. Their misty vistas and eerily precise draftsmanship emphasize the mystic tie that binds Goethian romanticism to 20th century gothic surrealism...
...Betty Washington was able to produce a much better account after going to live in the slums for several weeks. Charges of police brutality -the most frequent complaint-are commonplace on Page One. And militancy-within bounds-seems to pay off. By concentrating on civil rights, the bouncy In Sepia Dallas has raised circulation from 5,000 to an estimated 22,500 in three years; by contrast, the bland Dallas Express has slipped from 9,000 to 4,900. Sensitive to the growing pride in race, the papers are using the word Negro much less than before; the Amsterdam News...
...Greek bearing gifts of a Mercourial nature can only squander them in this lurid, leaden adaptation of a novel by Marguerite Duras, who also wrote Hiroshima, Mon Amour. While the screen moodily changes color, turning from light sepia to silvery grey and all but blushing with shame, Melina plays up the purple of her role as a sort of sick Samaritan. "How do you stond dee pain?" she wheezes, speaking of life itself. "Geev me a dhrink, Paul." But liquor is the least of her problems. Voyeurism and incipient lesbianism are enough to make any young matron restive...