Word: sequel
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Dates: during 1990-1999
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...next adventure for the dynamic duo? To repeat their previous success with Monsters, Inc., slated for release in 2000. Clearly, Pixar and Disney will continue to dominate the industry. The blend of incredible animation, writing and song make them near unstoppable. A comparison between Toy Story and its sequel reveals the great strides in technology; the humans and clothes in Toy Story 2 have become markedly more realistic. Pixar and Disney's look "To infinity and beyond...
...year, if not of all time. It's set to hit store shelves Dec. 12, and TIME got the first peek at the finished product. id, the guys who brought you the highly successful and controversial first-person shooter games Doom and Quake, have been working on this sequel ever since they wrapped up Quake II in 1997, and it shows...
...music, it's as safe as a Home Improvement rerun, especially by comparison with Walt Disney's daring decision to include Igor Stravinsky's The Rite of Spring in Fantasia just 27 years after its cataclysmic Paris premiere triggered a near riot. Couldn't the makers of this ultracautious sequel have found anything more adventurous to animate than Gershwin's Rhapsody in Blue (yawn) or Shostakovich's Second Piano Concerto, a pleasant student piece written in 1957 for the composer's teenage...
...Disney normally doesn't do animated sequels (They have no problems with live-action ones, though; a recent preview already advertises 102 Dalmatians, which opens next Thanksgiving. What an abomination.) But Toy Story almost begged a sequel because its characters created an apoplectic microcosm whose surface could barely be scratched in a mere 90 minutes. Besides Woody and Buzz Lightyear, our animated Don Quixote and Pancho Sanza (the fun is figuring out who exactly is more deluded), you have the returning Mr. and Mrs. Potato Head (now officially married), Slinky Dog, the incontinent Hamm, the still neurotic...
...original Toy Story had two problems. First and foremost, the animation, though incredibly detailed, still seemed--well, too shiny. Sure, the toys looked great, but the humans had plasticky visages and seemed cut and pasted from a B-grade video game. The sequel gets it right. Director John Lasseter (the hottest man in Showbiz right now) and his crew at Pixar studied countless pictures of human skin in order to perfectly recreate it--we see Al McWhiggen's pores, his nose hairs, his mild case of adult acne. In fact, Lasseter is so confident in his company's animation capabilities...