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Artists. Miss Müller, soprano, sang with a sincerity marred only by irrelevant smiles in certain love-scenes; Signer Lauri-Volpi (Gallurese) turned himself into a human cornet; Conductor Tullio Serafin imposed upon the wavering score his own electrifying power. At the close of each act, Montemezzi appeared before the curtain, bowed, smiled. On one of these occasions, a lackey delivered to him a floral wreath...

Author: /time Magazine | Title: New Opera | 3/2/1925 | See Source »

...impersonation. But Signer Gatti-Casazza, shrewd impressario, had planned otherwise. Verdi, well-tried veteran, was called into service and Aida was the safe and sane choice, with a familiar safe and sane cast. There was no Caruso, no Farrar, no Jeritza. There was instead a new conductor, one Tullio Serafin, carefully discriminating and strangely energetic after the somnolent Mr. Moranzoni...

Author: /time Magazine | Title: Music: Opera | 11/17/1924 | See Source »

...Serafin is a conductor of European fame. He was at one time assistant conductor with Toscanini at La Scala. He has conducted in Ferrera; Buenos Ayres; Madrid; Covent Garden, London; the Champs Élysées, Paris. He has taught at the Milan Conservatory, Montemezzi one of his pupils. Aged 46, he looks younger-a serious thick-set Italian, dominating, vital...

Author: /time Magazine | Title: Music: Opera | 11/17/1924 | See Source »

...Tullio Serafin, conductor, from La Scala, Milan...

Author: /time Magazine | Title: Metropolitan Data | 5/26/1924 | See Source »

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