Word: seraphim
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Dates: during 1960-1969
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Male or Female? The author's literary pilgrimage takes her through diverting patches of angelic lore. Biblically speaking, most angels are confined to the hierarchical ranks in heaven-seraphim, cherubim, thrones, dominions, powers, etc. Only the lowest ranks, archangels and angels, have ever had contact with man, appearing as messengers and ministers of God, especially at crucial moments when things had to be done that defied human logic-opening the Red Sea, for example, so that the children of Israel could pass. But no scriptural source deals adequately with such practical matters as what angels wore, what they really...
...charming, irresistibly delicious. But I, for one, am slowly drowning in this unendurably "childlike" floodtide of syrup and sugarplums. The popular repertoire of English and American works is one great confectionery, a banquet of indigenous sweetmeats, a maddeningly luxurious dessert table from which the audiences can engorge marzipan and seraphim until prostrate from he sheer agreeableness...
LUCIA Dl LAMMERMOOR (Seraphim: 2 LPs). Recognition first came to Maria Callas for her voice, and her voice alone. This reissue of a recording made at the 1953 Florence Festival documents the origin of her reputation as one of the finest dramatic sopranos in opera history. Her voice then had an almost unbelievable poignancy and precision, reinforced by an intelligence that makes most other singers' version of the mad scene seem like inane twittering. Tenor Giuseppi Di Stefano, Baritone Tito Gobbi and Conductor Tullio Serafin provide rousingly good support...
WALTER GIESEKING: BEETHOVEN PIANO CONCERTO NO. 5 IN E FLAT (Seraphim). This is the second low-priced issue of a Gieseking Emperor; the first (on Odyssey) is older and not as up-to-date in sound. For a seasoned campaigner, the late German pianist could be surprisingly youthful when he turned to Beethoven. Here he treats the Emperor more like a prince-in-waiting than an absolute monarch; he never stoops to imperious rhetoric, his tone is lithe and silvery, and he moves with quickness and grace. It is not the only way to treat the music...
ELGAR: SYMPHONY NO. 1 (Seraphim). The symphony opens with a marchlike tune that charms the listener with its opulence and nostalgia. Unfortunately, the same theme crops up throughout the rest of the work, and though Elgar's variations are inventive, the work lacks variety. The Philharmonia, however, never sounded better. Conductor Sir John Barbirolli gives coherence to Elgar's romantic flights while retaining a special sympathy for their almost Kiplingesque quality...