Word: serenaden
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Both Des Todes Tod and its successor on the program, Die Serenaden--a little cantata on Romantic texts for soprano, oboe, viola and violoncello--approached Hindemith's orchestral ideal of thick texture, rich tone and extensive contrapuntal treatment, with each instrument going its separate way. In "Der Wurm am Meer" in the second group of pieces in Die Serenaden, all four elements had different melodies that combined to form a coherent and colorful whole. Such terms might be used to describe the whole program...
Works to be performed are the Sonata for Oboe and Piano, Sonata for Viola Solo, Opus 25, No. 1, Sonata Violincello Solo, Op. 25, No. 3, Des Todes Tod, Op. 23a, and Die Serenaden...
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