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...much domestic bliss would be hard on any man. For Sergio Masini, first violinist in a Roman symphony orchestra, it is literally a labor of love: he adores all three of his families and is scrupulously fair to each. Giulia (Renee Longarini) is his legal wife; Adela (Maria Grazia Carmassi), a onetime opera singer, became his mistress when he began to console her for her cracking voice; and Marisa (Stefania Sandrelli) is a young country girl who fell in love with him at a concert and followed him to Rome. Each of them gets nine phone calls a day from...

Author: /time Magazine | Title: Cinema: One Man's Families | 9/22/1967 | See Source »

...played by Ugo Tojnazzi, he is a victim of his own capacity for compassion; it saddens him that all three of his families cannot be unit-id-not for convenience' sake, but for love. Instead of heaving a sigh of relief when Marisa leaves him to go home, Sergio pursues her-and gets beaten up in rescuing her from her angry peasant family. Though his premiums are soaring, he insists on taking out equal insurance policies for all three women. To make ends meet, he begins moonlighting as a jazz pianist in a honkytonk. A new complication is added...

Author: /time Magazine | Title: Cinema: One Man's Families | 9/22/1967 | See Source »

Climax has stopped being funny now, as Sergio literally begins to die of loving. Unfortunately, Producer-Writer-Director Pietro Germi almost spoils his curiously bittersweet comedy about the trials of trigamy with a mawkish funeral finale in which Sergio's voice provides a disembodied commentary. But not even this last false touch dims the luster of Actor Tognazzi's exquisitely humane performance as a man who loves not wisely but too well...

Author: /time Magazine | Title: Cinema: One Man's Families | 9/22/1967 | See Source »

Such is the surefire formula of Italian Director Sergio Leone, 38, whose "macaroni westerns" are the fastest draw in theaters from Youngstown to Yokohama. A veteran of spear-and-sandal epics, he converted to shoot-'em-ups three years ago. To lend a scent of sagebrush to his first western, Leone changed his name to Bob Robertson and imported Clint Eastwood, a lanky, rawboned drover on TV's Rawhide. Eastwood's image was too clean-cut for an antihero, so Leone added the necessary smudges-slouch hat, black cheroot, stubble beard and a ratty-looking scrape...

Author: /time Magazine | Title: Movies Abroad: Hi-ho, Denaro! | 8/4/1967 | See Source »

...Fistful of Dollars, the perfect western, is without suspense--there's not a who-dunnit, what's-happening-baby minute in it. Sergio Leone doesn't let melodrama disturb his intimacy with an object or an actor's gesture...

Author: By Joel Demott, | Title: A Fistful of Dollars | 3/7/1967 | See Source »

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