Word: serialization
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Dates: during 1960-1969
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...Indians added insult to upset three minutes later when Beard hit end Bill Calhoun on a 79-yard pass-run play, the longest serial touchdown in Dartmouth history. In all, Beard connected on 12 of 17 passes for 229 yards and added 20 more on the ground...
Smith's dialogue smacks of a vintage Saturday-afternoon serial, but his fears are well grounded. A kidnaped professor possesses a secret formula for distilling the lethal essence of the Black Hill Poppy from Tibet ("A pint can kill every living thing in London"). Fu's evil daughter (Tsai Chin) seizes the professor's daughter as hostage and undertakes the dirty deeds formerly assigned to such exotics as Anna May Wong and Myrna Loy. There are vestiges of the old potency in the farfetched fights, a sinister drowning apparatus in a hideout below the Thames, the mass...
Without a good serial attack and without the ability to run through Princeton's rugged defensive line, Harvard will probably be shut out. If Charley Gogolak had a broken leg, one could pray for a scoreless lie. But he's healthy, unfortunately, so the only question surrounding today's game seems to be how much Princeton can roll up the score. Our guess is that two touchdown passes by Landeck and three field goals by Gogolak will give Princeton a 23-0 victory.Don Sadoski (43) is blocked by teammate (mercifully unidentifiable) and falls easy prey to a Penn tackier...
...firemen George Bennett, Joseph O'Hare, and John Rocca of the rescue squad from the hall and traps them at the window of 600. Clouds of smoke stream out of the windows, forcing the firemen out on the sixth-story window ledge. After a terrifying delay, the large serial ladder moves to the window, and the three men shakily climb on and descend. They were among six firemen treated for smoke inhalation at Cambridge City Hospital...
...network was not only gambling on soap opera in prime time but also doubling the stakes with another innovation-running the untested show two nights a week. But the network reasoned that 1) audiences could be hooked as easily in the evening as in the afternoon by the serial format, and 2) that the U.S., newly caught up in the "romantic escapism" of Ian Fleming, might be similarly ripe for the "realistic escapism" of Grace Metalious. Realism, of course, turned out to be a euphemism for a concentration of sexual adventurism such as no network had ever risked before...