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...York City to cover a boxing match. It only becomes clear in Part 4 - "The Part about the Crimes" - that Bolaño is performing these lateral leaps the better to observe from all sides what the reader only gradually recognizes as the book's true subject: the horrific serial rape and killing of hundreds of women in and around Santa Teresa. Part 4 consists of a ruthlessly precise forensic catalog of those killings, complete with torn nylons and hematomas and vaginal swabs, mingled together with the stories of the detectives who are working the case and of their principal...

Author: /time Magazine | Title: Bolaño's 2666: The Best Book of 2008 | 11/10/2008 | See Source »

...label co-founder James Murphy, and, according to the liner notes, were “recorded at home in Brooklyn.” While those same notes later reveal that the discs were also intended to be spun on BBC 1, most of the albums in the seasonally released serial are well worth the download (and they’re free on DFA’s website). While the content of some of these mixes can be a little dance-heavy at times, the imperfections are more than made up for by the tracks’ phrasing and a compositional...

Author: By Ruben L. Davis, CRIMSON STAFF WRITER | Title: The Mixed-Up, Mashed-Up Music Files of Mr. Ruben L. Davis | 10/31/2008 | See Source »

...lost his moral tension, and the show is left to rely on awkward side stories involving a goofy private eye and increasingly uninteresting patients.Another show in a similar state of stagnation is “Dexter,” Showtime’s series about a serial killer who lives a double life as a forensic scientist and devoted boyfriend. The catch is, he’s been brought up to kill only those who deserve it. The problem here is that the show built up too fast, and by the end of the second season Dexter had already evaded...

Author: By Jeffrey W. Feldman, CRIMSON STAFF WRITER | Title: Diagnosing 'House' With a Terminal TV Illness | 10/23/2008 | See Source »

...municipal government, the police department and the medical establishment of 1920s Los Angeles - that has the novelty of being virtually unknown today. The script, by TV writer-producer J. Michael Straczynski (Babylon 5, Jeremiah), juggles elements of L.A. Confidential, The Black Dahlia, The Snake Pit and any number of serial-killer thrillers. But at its center are the heartache and heroic resolve of a woman who has lost the person she loves most and is determined to find him, dead or alive, against all obstacles the authorities place in her way. In that sense the movie is a companion piece...

Author: /time Magazine | Title: Changeling: True Crime from Clint and Angelina | 10/22/2008 | See Source »

...image is reminiscent of early impressionist painting—Turner comes to mind. With the loss of image clarity comes an exciting development. The works in Lossless come out of the destruction of existing film, but they may be equally viewed as forays into a new medium. The serial titles connect the installations to the exhibition and the ideas behind it, cutting them off from the films that preceded them. These installations are more than just digital destruction—they stand alone as creative works. Although the original films may be severed, distorted, and pixilated, the result is artful...

Author: By Madeleine M. Schwartz, CRIMSON STAFF WRITER | Title: Lossless Blurs Lines Between Old, New | 10/9/2008 | See Source »

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