Word: serious
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...latest shakeup prompted serious worries in Washington, where President Bush phoned Maliki in an effort to salvage some sense of political progress in Baghdad despite an obvious breakdown. Maliki, though, seemed by comparison rather calm. And for good reason...
...challenge of safeguarding research facilities is not just Britain's. In 2003, the U.S. General Accounting Office (now called the Government Accountability Office) found serious flaws in the security of the 50-year-old Plum Island Animal Disease Center off eastern Long Island, New York - the only facility in America cleared to research FMD. Two years later, the U.S. Department of Homeland Security said the facility had become outmoded and "increasingly costly to maintain." Last year, the department said it was considering locations for a new, $450 million disease...
...maker of documentary shorts - was the first true modernist in commercial cinema. His pristine imagery and elegant compositions taught viewers to watch a movie, not just see it. Calling L'Avventura "easily, the film of the year," critic Pauline Kael hailed it for demonstrating "that the possibilities for serious, cultivated, personal film expression in the film medium were not yet exhausted." (The next year, she castigated La Notte, which traced the disintegration of a marriage during a 12-hour soiree, as a "Come-Dressed-as-the-Sick-Soul-of-Europe party...
...Allen will attest, was a killer ping-pong player - didn't enjoy the brand recognition that Bergman did. But in several ways his influence was even greater. His L'Avventura (1960), which sets up a mystery it never resolves, quickly became a rallying cry and furious debating point for serious film lovers. La Notte (1961), Eclipse (1962) and Red Desert (1964) cemented Antonioni's reputation as an anatomizer of malaise and a supreme picture-maker. Blowup (1966), his first full-length English-language film, was a sensation for its frank view of sex, drugs and rock 'n roll in swinging...
...Here, then, was a film that upended narrative, set a new tempo for serious movies and aspired not to theater but to painting. The combination of these innovations, or affronts, made L'Avventura a precedent-setting movie. So did the fierce debate surrounding it. Indeed, you could say that at that Cannes festival - as the professionals loved or hated, puzzled and argued over this beautiful, forbidding artifact - modernist cinema was born...