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Word: serota (lookup in dictionary) (lookup stats)
Dates: during 2000-2009
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Other notable speakers at the conference included Thomas Scully, administrator of the U.S. Department of Health and Human Services, and Scott Serota, President and CEO of Blue Cross and Blue Shield Association...

Author: By Michael B. Broukhim, CONTRIBUTING WRITER | Title: FDA Head Defends Re-importation Ban | 11/10/2003 | See Source »

...Mind of Someone Living (an entire preserved tiger shark), Tracey Emin's unkempt My Bed, and Richard Wilson's room-sized lake of sump oil, 20:50. They can all be seen at his new gallery in County Hall, just across the river from Westminster. Tate's director Nicholas Serota (he headed Tate Modern until early this month) and Saatchi have long been compared as giants of the British modern-art world. Saatchi's holdings mean gaps in Tate Modern's spread of British art. Saatchi has bought up most of Hirst's work and the gory output of Jake...

Author: /time Magazine | Title: London's Art War | 4/13/2003 | See Source »

Fortunately for it, and for all central London, that person was the director of the Tate Gallery, Sir Nicholas Serota...

Author: /time Magazine | Title: Art: Kissing a Grimy Princess | 7/10/2000 | See Source »

...jacket of international-modernist works, the two pushing and puffing for wall space in a great city that, unlike New York, Paris, Berlin or almost any other major Western city, still had no "dedicated" museum of modern art. This was a huge Gordian knot in British culture, and Serota--a low-key man of striking tenacity, intelligence and charm--put Alexander's sword...

Author: /time Magazine | Title: Art: Kissing a Grimy Princess | 7/10/2000 | See Source »

...loves. And its sooty past is apposite. Y.B.A.s (as young British artists are known) have been showing and creating their works in abandoned warehouses and factories for years, as have young artists everywhere. "We were very conscious of the way artists work when we chose this building," says Serota. "We did a survey of artists and asked where they liked to see their work. Some liked converted industrial buildings. Some liked the top-lighted galleries of the turn of the 19th century. But almost none of them liked the purpose-built galleries of the '50s, '60s and '70s." (Take that...

Author: /time Magazine | Title: Architecture: Industrial Revolution | 5/22/2000 | See Source »

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