Word: serpents
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...physical and visual aspects. such as costumes and sets, have been evolving since the Serpent. In the Serpent we considered images very much. We've expanded somewhat to consider what the visual thing is in an image. In Terminal it is not claborate by anyone else's standards but for us it is extremely claborate on the technical end. And Endgame makes use of what someone would call a very sparse set, and we make use of lighting in both of these pieces in way we haven't in the past. And these things seem to be important...
...know Jean-Claude Van Italie in the published script of the Serpent talks about almost guiding the andience on a trip...
...following is a transcript of a conversation between the author-a sophomore in Adams House - and Judith Sklar, co-director of the Open Theatre. The Open Theatre recently presented Serpent, Terminal, and Endgame at the Loeb...
...right then, how did you approach the production of Endgame? -I guess I should say evolve the production. I know that the Serpent took over six months to evolve, but of course in that case you started without a script...
...loath to put a name on it. It is definitely not the Chekhovian motivational mode. and it's not the special bodily technique of the Serpent. In Endgame. the route we took certainly involved motivational relationship and interaction. The product as one sees it is involved with theatricality by which I mean the consciousness of the presence of the audience...