Word: serranos
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...Touch of the Dog. "What will die with me when I die, what pitiful or perishable form will the world lose?" Borges wonders, recalling childhood friends and memories. "The voice of Macedonio Fernández? The image of a roan horse on the vacant lot at Serrano and Charcas? A bar of sulphur in the drawer of a mahogany desk...
Increasing the Chapters. Protests are louder still in Chile. Reacting to a report by Presidential Envoy Adlai Stevenson that "economic stagnation continues in Chile," Minister of Mines Enrique Serrano put the blame on U.S. copper companies, announced that Congress would get a bill requiring the companies to 1) increase production by 15% yearly. 2) refine all their copper in Chile, 3) build housing for their workers. According to Santiago Radio Commentator Francisco Olivares. the Alliance for Progress could be very simply defined: "The Latin Americans have a problem, and the U.S. has a problem. The problem...
While Ibsen required five acts to get his point across, Cullberg managed it in a few taut, well-constructed scenes. The curtain rose on a pony-tailed Ellida (Lupe Serrano), her back to the audience, her gaze fixed yearningly on a sea-green curtain. Presently the sailor (Royes Fernandez) appeared and, in a sequence of broad, sweeping movements, lured Ellida into a seductive dance that had the two of them writhing like a couple of fighting fish. The ballet's high point: a dream sequence in which the corps de ballet, got up to look like ocean creatures, came...
...Filipinos, the U.S. had acquired gg-year leases on 23 Philippine bases, and the U.S. Navy was running the town of Olongapo (pop. 60,000) almost like a unit of its own Pacific Fleet (TIME, July 20). Under the new terms negotiated by Bohlen and Filipino Foreign Secretary Felixberto Serrano, the U.S. has now agreed...
...male and three girls--starting off together, then each little ballerina getting her chance to dance alone with the man, and finally the latter liking his three girls so much that he keeps them all--and apparently meant to lampoon it. But somehow the number, danced by Lupe Serrano, Ruth Ann Koesum, Catherine Horn, and Scott Douglas, was just corny, and the saccharine music by John Field did not help...