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Carpenter Center for the Visual Arts, 24 Quincy St., Cambridge. April 19-May 27, Monday-Saturday, 10 a.m. to 11 p.m. Sunday, 1 p.m. to 11 p.m. (Main Gallery). Tuesday-Sunday, 1 p.m. to 5 p.m. (Sert Gallery). Free...

Author: By Synne D. Chapman, CRIMSON STAFF WRITER | Title: Get Out! Arts | 5/7/2010 | See Source »

Crouching is the only way to look through the six- by four-inch peep-hole into the giant wooden box on display in the Sert Gallery at the Carpenter Center for the Visual Arts. The box is 20 feet by 10 feet and four and a half feet high—but only those 24 inches of surface area are transparent. The rest is plywood...

Author: By Elyssa A. L. Spitzer, CRIMSON STAFF WRITER | Title: Proletariart | 4/6/2010 | See Source »

Undoubtedly the pinnacle of Harvard’s architectural missteps, the Science Center lurks just outside the Yard, completely at odds with its red brick surroundings. Of course variety is welcome, but not when it looks like this. Sert supposedly took the shape of a camera as his inspiration for the design. Cameras in the 60s certainly looked very different to today, but I’m pretty sure they didn’t look like this. My suggestion: Knock it down and rebuild it in the shape of a sleek modern camera. Imagine the giant digital screen. Amazing...

Author: By Rachel A. Burns, Jeffrey W. Feldman, Ama R. Francis, Jessica R. Henderson, Joshua J. Kearney, Eunice Y. Kim, Chris R. Kingston, Ali R. Leskowitz, Beryl C.D. Lipton, Monica S. Liu, Ryan J. Meehan, Antonia M.R. Peacocke, Erika P. Pierson, Bram A. Strochlic, Mark A. VanMiddlesworth, and Denise J. Xu, CRIMSON STAFF WRITERS | Title: Editor's Picks 2009 | 12/4/2009 | See Source »

...Tuesday Magazine and the Harvard Lampoon, a semi-secret Sorrento Square social organization that used to occasionally publish a so-called humor magazine. Her artwork has also been featured in the Harvard Advocate and last year’s “Students Choose” exhibition in the Sert Gallery of the Carpenter Center.The student-curated SOCH Penthouse Gallery exhibition features a variety of mediums, including oil paintings, acrylics, ink drawings and film. Each of these art forms serves to convey the common themes of Escobedo’s examination of her family relationships and her exploration of death...

Author: By Jenya O. Godina, CONTRIBUTING WRITER | Title: Escobedo Exhibit Makes SOCH Penthouse Personal | 11/6/2009 | See Source »

...bold one. By 1958, Le Corbusier had already established himself as one of the foremost architects of the 20th century. “There is no Corbusier building in this country, which is as strange as if there were no Picasso paintings in our museums,” Sert wrote in a letter. But the architect was not unequivocally loved. The Crimson called Le Corbusier “controversial” and wrote that the choice “dramatized the importance it attaches to the new Visual Arts Center in the most effective way possible...

Author: By Madeleine M. Schwartz, CRIMSON STAFF WRITER | Title: Making Room for Art | 6/1/2009 | See Source »

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