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Distorted images line the walls of the Carpenter Center’s Sert Gallery, where five projectors each display a disassembled and digitally manipulated film loop. Each malformed video produces a different effect: an old Western movie is blurred in a way that leaves pixilated smudges of color on the screen every time an object moves, while a more abstract image shows hundreds of arrows rotating and flashing in place around a centered square. Several other clips recall online videos that have only partially loaded...

Author: By Jeffrey W. Feldman, CRIMSON STAFF WRITER | Title: Harvard in the Time of New Media | 11/21/2008 | See Source »

...stony expression that clashes with his movie-idol good looks; he projects a physical sense of the intense focus and purposefulness that powers his writing. His protagonists are often humble people who blossom in the face of difficulty. His most important novel is generally considered to be Désert, published in 1980 and largely set in the Moroccan Sahara. A lyrical, occasionally hallucinatory work, it deals with the marginalized but still fundamentally vital lives of African nomads, as contrasted with the bleakness of modern urban European life. "Western culture has become too monolithic," Le Clézio said...

Author: /time Magazine | Title: French Novelist Le Clézio: A Nobel Surprise | 10/9/2008 | See Source »

...stuck in a continuous loop. No, you’re not witnessing the result of a bad download; you’re watching “Lossless #1,” the first piece in the fall exhibition Lossless at the Carpenter Center’s Sert Gallery. Lossless is a collection of five deconstructed and digitally reworked films by artists Rebecca Baron and Douglas Goodwin. Inspired by the contemporary trend of file sharing, Baron and Goodwin altered the films by manipulating the technology behind them. Interruption of data streaming, the removal of basic information, and other digital methods allow...

Author: By Madeleine M. Schwartz, CRIMSON STAFF WRITER | Title: Lossless Blurs Lines Between Old, New | 10/9/2008 | See Source »

...Heynen advocates for a fresh perspective on Moholy-Nagy, and sees her influences in present day architectural practices. Moholy-Nagy was one of the first critics to treat South American modernist architecture seriously, writing a book on the architecture of Venezuela (see the current show in the Sert Gallery: “A Little Piece of Heaven (1998-2008),” which revolves around the architecture of Caracas and even exhibits Moholy-Nagy’s book). Moholy-Nagy also proposed an environmentally conscientious approach to architecture, one that seems particularly prescient today.Moholy-Nagy also had a contentious relationship...

Author: By Alexander B. Fabry, CRIMSON STAFF WRITER | Title: Heynen Revives the Voice of '60s Critic | 2/22/2008 | See Source »

...little piece of heaven. This is not just a nickname, but also seems to refer to the unfulfilled dream of a modernist utopia. Now, slums surround many of the geometric concrete surfaces and glass curtain walls of the mid-century expansion.Alessandro Balteo Yazbeck’s exhibit at the Sert Gallery in the Carpenter Center, titled “Pedacito del Cielo (1998-2008),” tackles the tangled exponents of Latin American geometrical abstraction, from modernist architecture to sculpture to a video of performance art. At the same time, the show is also a supremely individual creation. Balteo...

Author: By Alexander B. Fabry, CRIMSON STAFF WRITER | Title: A Little Piece of Balteo Yazbeck | 2/15/2008 | See Source »

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