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...more interesting is the issue of "why." What makes a career United States civil servant, himself the son of a CIA employee, risk the kind of infamy--no to mention the severe punishment--that inevitably awaits a traitor...

Author: By Samuel J. Rascoff, | Title: Rise of the Bourgeois Spy | 3/7/1994 | See Source »

...high-spirited, apparently gliding through life, Irene can juggle the affections of a businessman husband (Richard Bohringer) and a lover (Samuel Labarthe) who is in the Resistance. Sophie, a promising pianist, is pleased to be Irene's accompanist and maid; she serves tea, irons, watches, tries to keep secrets. Servant and mistress, darkness and light -- why, the two women might be in different movies...

Author: /time Magazine | Title: In the Shadow of Stardom | 1/10/1994 | See Source »

...nearby labor camp, played by Ralph Fiennes in the film's most compelling performance. A man of Schindler's own age and background, he likes to sit on the balcony of his house idly shooting prisoners who happen to wander into his gunsight. He keeps as a servant a Jewish woman named Helen Hirsch (Embeth Davidtz), whom he constantly beats and humiliates precisely because against all dictates of ideology, he loves her. The point about this man is that like Nazism itself, his irrationality cannot be contained by any appeal to civility, any system of legal or moral constraint...

Author: /time Magazine | Title: Heart of Darkness | 12/13/1993 | See Source »

...head. He jilts Mary Todd because she is too ambitious, then after two years' absence seeks her hand. It's never clear why. As for abolition, he seemingly undergoes a quasi-religious conversion on the prairie, praying aloud for a friend's dying child while the friend's loyal servant -- the one black in the 3 hr. 20 min. epic -- fetches water. But Lincoln, who has sounded like an atheist until then, doesn't explain what he felt...

Author: /time Magazine | Title: Honest Abe of Oberammergau | 12/13/1993 | See Source »

...been self-referential as literary texts. The described narrative structure is nearly identical to that of Heat and Dust by Ruth Prawer Jhabvala; in this novel, an Englishwoman goes to India to uncover the past of her step-grandmother (same obscure relationship), a woman who left her British Civil Servant husband for an Indian nawab. Mukherjee blatantly refers to The Great game of Kipling's Kim. Hannah's cosmic relationship with history seems suspiciously similar to Saleem's--the narrator of Midnight's Children-- linkage to Indian history. Mukherjee evens claims The Captivity Narrative of Mary Rowlandson as an ancestor...

Author: By Anita Jain, | Title: Mukherjee Explores Private Lives and Public Histories | 12/9/1993 | See Source »

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