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Brian Smiar, as Gloucester the other betrayed father, has no specific fallings, but lacks the air of nobility which should add extra bitterness to his fall. The same deficiency appears in Arthur Strimling's Kent; Strimling plays a servant, rather than a nobleman playing a servant. That complexity is crucial to the role of Kent, since in a class-conscious Elizabethan context, Kent's willingness to humble himself gives the most extreme proof of his devotion to Lear...

Author: By Frances T. Ruml, | Title: A King's Madness | 10/1/1984 | See Source »

...David: "Do you understand what I'm saying to you about Joab? Do not let his hoar head go peacefully down to the grave." Solomon: "What's a hoar head?" After one particularly frustrating session, David tries to get rid of the young man by telling a servant to "show him the door." Replies Solomon: "I've seen the door...

Author: /time Magazine | Title: Books: The 3,000-Year-Old Man | 9/24/1984 | See Source »

...thin smile and a delicious air of cagey indecisiveness by Jeffrey Jones). There the man of the moment is Antonio Salieri (F. Murray Abraham): court composer, consummate technician and politician, Emperor's favorite, a musical lion of Vienna. Most important, he knows his place, as an educated servant among masters of the blood and the bureaucracy. Mozart, fatally, does...

Author: /time Magazine | Title: Cinema: Mozart's Greatest Hit | 9/10/1984 | See Source »

...discomfort, created pain or revived someone's fears, that was not my truest self.. . Please forgive me. Charge it to my head... so limited in its finitude; [not to] my heart, which is boundless in its love for the entire human family. I am not a perfect servant. I am a public servant... Be patient. God is not finished with me yet." Some delegates shouted, "Jesse! Jesse!" Others wept. Many did both...

Author: /time Magazine | Title: Drama and Passion Galore | 7/30/1984 | See Source »

...whose films were relentless, almost clinical studies of human frailty and spiritual corruption; of cancer; in London. An avowed leftist forced into exile by the McCarthy-era blacklist, he started working in England in 1952 and collaborated with Writer Harold Pinter on most of his best films, including The Servant (1963), Accident (1966) and The Go-Between, which won first prize at the Cannes Film Festival...

Author: /time Magazine | Title: Milestones: Jul. 2, 1984 | 7/2/1984 | See Source »

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