Word: set
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Dates: during 1990-1999
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...fully experience all the tensions and hardships of life on Death Row. Still, Darabont is careful not to waste any screentime on dull moments; there's plenty of action to offset the unusually long running time. As the film progresses, the tone remains predominantly serious (befitting a story set on Death Row), interspersed with lighter scenes of optimism and hope. Edgecomb's urinary problems, painful as they are to watch, provide a small degree of comic relief, but the main source of smiles comes in the form of a mouse named Mr. Jingles. The curious mouse, discovered on the floor...
...only flaw preventing Darabont's triumphant second effort from being perfect is the manner in which the story begins and ends. Told as a flashback by an older Edgecomb sixty years after the fact, the story opens with scenes that take place in the present. This set-up at the beginning of the film is fine, but the ending just doesn't work. Immediately after the final scene from 1935, the story shifts back to the present for a wrap-up that comes across as contrived (the same problem plagued Saving Private Ryan). Instead of ending the film...
...primary discourse of white opposition to apartheid. But the tenuous hope Coetzee expresses in Age of Iron for the survival of humanism despite the violence of South Africas transitional years (the late 80s and early 90s) seems to have been snuffed out in Disgrace. The novel is set in the current phase of the countrys violent and troubled history. On the one hand, it is a phase characterized by criminal brutality on the part of former victims of apartheid, and on the other hand, by the public admissions of guilt by the perpetrators of apartheid crimes in the forum...
...same, unfortunately, cannot be said for Moonchildren. Set during the '66-'67 school year, the play revolves around the lives of seven college hippies--five men and two women--living communally in an apartment in New York. The issue of the day is the Vietnam War, and the men are terrified of being drafted after they graduate. That is to say, one of them mentions that inclination once near the beginning of the play. Weller's idea of developing this theme consist of having his protagonist Bob (Jay Chaffin '01) summoned for a medical exam, act like he is dead...
...minimalist set contributes to Machinal's ambiguity. The space in the Loeb Ex space is incredibly intimate and close to the audience, yet the careful use of grays and silvers by Glenn Reisch '00 creates a sense of sterility. Hanging from the ceiling are square, metal mobiles with twisted coils, contributing to the sensation that human feeling can only be repressed for so long, just as the metal coils may snap at any time. Throughout the show, the set remains a reconfiguration of five sliver boxes reminiscent of the inside of a combustion engine, a few gray and silver wood...