Word: set
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Dates: during 2000-2009
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...nues who have stumbled into the limelight of the film. Though it consciously perpetuates hackneyed young-adult characters and themes, “Cirque du Freak” is saved by elders who can poke fun at the film’s driest conventions while also providing a compelling set of quirks and superpowers...
Thankfully, the cinematography and set provide ample relief from the humdrum plot. A whirling and occasionally unfocused camera heightens the camp of the freak show, filled with the patchwork tents and car parts that form the wandering circus’ home. This cozy shantytown contrasts perfectly with the imposing black car of the evil Desmond “Mr.” Tiny (Michael Cerveris), whose license plate, “Des-Tiny,” is one of the film’s many ingratiating flourishes...
...cornerstone of “Cirque du Freak” is a fantastic and animated set of adult characters who keep their own hairbrained discussions of vampire world war to a minimum in order to make room for mesmerizing, impeccably choreographed fight scenes and memorable wisecracking. Salma Hayek shines as Madame Truska, a voluptuous bearded lady who falls into deep clairvoyant trances, uttering “disaster” and “destruction” in cryptic tones only to promptly return to consciousness and perkily ask, “What did I say?” Truska...
...California Zephyr,” a song about traveling on a Western railway, opens the album, and uses simple, sunny guitar and Ben Gibbard’s lighthearted vocals to set the expansive, American West scene. A rambling, pleasantly repetitive tune, “Zephyr” conveys a good sense of movement, as one can almost imagine peacefully sitting on the eponymous train, humming this tune as fields and hills stretch by. The chorus—“I’m transcontinental / 3,000 miles from home / I’m on the California Zephyr / watching America...
...world; not a picture, but something that could convey the whole thing to readers,” Waters says regarding the concept behind “Literary History,” which he conceived in 1982. It was only on September 29, 2005 that the project would officially be set in motion. Also the catalyst behind HU Press’ similarly titled French and German literary histories, Waters, with Sollors and Marcus, created an editorial board that formed, as Waters puts it, a “search party”—one imparted with the task...