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...definitely the best time we’ve played Boston,” says Brian Thompson of the Connecticut band Dead Uncles, whose Friday set got the crowd slam dancing and moshing with enthusiasm. But this wasn’t the brutal, violent moshing featured on the notorious DVD “Boston Beatdown,” which focused on a different hardcore scene that many on RH deride as “bro-core.” RH comper Jacob N. Augenstern ’10 spent the set moshing with and leaping on a local punk rocker...
From the moment the five members of Black Kids set off in their animated roller coaster car into the terrifying Tune Town tunnel, we know we’re in for a treat—and boy, do we get one! Floating past cartoon guitars and keyboards—just like the ones they use!—their yellow seats burst apart and the gang is thrust into an entirely new dimension—where light shoots in columns, winds rush from nowhere, singers wear outfits that are made of metallic purple plastic and sleek leather, and vicious guitar...
...Artist Development Fellowship (ADF) in 2007. “Guy and Madeline on a Park Bench” was primarily shot and produced in the Boston area. With a conventional script, the black-and-white movie pays homage to the timeless formula of an old Hollywood musical and romance set against a backdrop of a roaring jazz scene. Yet Chazelle reinterprets the genre by filming the movie with an unorthodox, and often labor-intensive, technique. “I tried to approach the genre of the musical in a documentary way by using the lives of people as the framework...
...late. Fresh-faced, clean-shaven, and forever dressed somewhere along the spectrum of white shirt/jeans to blue shirt/chinos, Art is a recently graduated economics major planning to work in finance in the fall. He needs adventure, and soon—lest his life become as boring as he has set it up to be. Judging from his blank stare throughout the movie, he’s already beginning to fall into his own trap (I suspect that he’s introspecting but have little proof). “If this was to be the last summer of my life...
...barely keeping it together. He goes flying over his bike on the way to work, accidentally sprays a bag of coyote urine in his face as he cleans his backyard, and works with his snarky ex-wife (Catherine Keener). With this, the movie constructs the seemingly perfect set-up for an unlikely friendship between two men who desperately need comebacks. Lopez conveniently runs into Ayers on the street, and, fascinated, pens a series of columns about the experience. Later in the film, he brings Ayers to live in the LAMP Community for the homeless, and it is here that...