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...consists of three parts: The first covers changes that have already been implemented by Dean Hammonds at her discretion, the second contains recommendations for changes to faculty rules that will require a vote of the Faculty of Arts and Sciences for implementation, and the third presents a set of issues for further “discussion and consideration...
Helping the band’s cause is a set of compelling performances from vocalist Puciato, who possesses a legion of voices. Sometimes, he sounds like Trent Reznor at his most pathetic, at others, like Living Colour’s Corey Glover at his most electric. Puciato’s unmelodic side has variety too—he yells, he whines, he screams, and he screeches. Either by luck or good taste, Puciato manages to avoid indulging in the atavistic grunting of death metal...
...Amelia Muller ’11 is no stranger to Harvard theater. She appeared in the 2008 Freshman Musical, and in the last year, served as set designer for both “Big River” and “The Flies.” But this semester? “I wanted to do something that scared the crap out of me a little bit,” she said...
...B.O.T.S. Radio” is the album’s ultimate, and most disappointing, exploration of the battle of the sexes. The song is set up like a radio show with rapped responses from Ludacris, Shawnna, and I-20 in response to caller complaints about their significant others. The music is sinister and aggressive and the song’s flow is very choppy. It could be intended as a tongue-in-cheek commentary on relationships, but the aggressiveness with which the rappers deliver their lines reveals a seriousness which makes the song all the more problematic. I-20?...
Jeff characterized his required withdrawal as a “very isolating” experience: “You lose your Harvard e-mail address, you are forbidden to set foot on campus, forbidden to participate in any extracurriculars,” he says...