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Kuranaga’s performance as the charming Swanilda evokes McBride’s distinctive articulation and finesse. As the curtains opened on the set of a quaint Austro-Hungarian village, Kuranaga took to the stage with flawless technique, embodying the spirit of the young, vivacious Swanilda with spunk. Madrigal portrayed a naïve and good-natured Frantz, complementing Kuranaga both in character and skill. The first act was light and playful—the dancers of the corps de ballet (the chorus of the Boston Ballet company) swished their period costumes in Balanchine’s authentic character...
...third act of “Coppélia” is entirely Balanchine’s own work, as the focus shifts from the storyline to the dancing itself. In the Festival of the Bells, the townspeople celebrated their new village bell tower in front of a breathtaking set; the wings were adorned with bouquets while garlands and bells hung from above. In a series of dances to commemorate moments when the town bells would be rung—dawn, prayer, work, war, and peace—Boston Ballet’s principals and soloists performed with grace. Soloist...
...skills not only in performances but also against other schools. According to CDT co-captain Ashley R. Prince ’11, competition pushes dancers and encourages progress the way performance might not. “In competitive dance, you have the opportunity to really assess your own skill set and techniques, whereas when you put on a show, it’s just fun to perform,” she says. “On CDT, you get to grow and see concrete improvement...
...competition. CDT first chooses a choreographer based on an intense selection process. “It involves watching more YouTube than you can imagine,” Prince says. The captains then suggest music and a theme to the choreographer, who comes back to the team with a set two-minute routine. Even so, the members sometimes tweak the piece to fit their vision and showcase their dancers’ strengths. A winning routine is often a trade-off between performing advanced moves and fitting the team’s skill level...
...stinging criticism, the Irish government may now be reconsidering the move. Complaining that he has been the victim of "a sophisticated campaign, mostly on the Internet," Ahern last month proposed holding a referendum on the law, insisting that this was always his "preferred choice." However, with no date set for any referendum, opponents are keeping up the pressure. In May, Atheist Ireland will organize a 25-day walk across the country to hold public meetings on the statute, while the Museum of Contemporary Art is planning further one-off anti-blasphemy law events, as well as an exhibition this summer...