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...film's cookie-cutter plot set-up may lead one to ask “Will there be redemption for the villains?” and “Will the desperate lovers be reunited once more?” But these questions are not raised or answered in a way that is logical, credible, or intriguing. The scenes drag on, as the storyline needlessly complicates itself further and further. It does not take long for the incessant action to turn into monotony. Viewers are presented with painfully gory scenes set to painfully sentimental music, for painfully long periods...
...several episodes of the show. Imitating the visual style of Spanish director Pedro Almodóvar, Campanella frames some shots with dramatic red curtains and varies shots between warm and cold colors, but he does not use the effect consistently. Campanella shows the violent, bloody corpse in long takes set to emotional music in a way that Martin Scorcese had been doing since “Gangs of New York,” brought to a real level of expertise in “Shutter Island.” In these movies Scorcese achieves a conceptual depth that Campanella only...
...fight corruption since the country’s inception, but in the words of Kennedy School professor Lant Pritchett, “the de jure process no longer has any real claim on the behavior of the agents of the state, who are following a different de facto set of procedures” that have basically institutionalized corruption. Even new elected officials or new laws will not change the expectation that a bribe needs to be paid to get something done...
...question by denying its validity. Rejecting essentialist explanations for the female condition, Beauvoir famously declared, “one is not born, but rather becomes, a woman.” The “eternal feminine”—those behaviors and character traits that set women apart from men—were humanly created, Beauvoir argued, not natural. Rather than evidencing a perverted female essence or mistaken choice, feminine traits reflected woman’s situation. For Beauvoir, women’s biological nature could never be experienced apart from this second social nature: The body...
...Army chief General David Richards countered with a swipe against "hugely expensive equipment" of the kind procured for navy use. The spat highlighted a fundamental problem for defense planners: nobody knows where future conflicts will erupt or what kinds of resources they will demand. Governments set the aspirations of their military according to best guesses. "We've got to think through much more carefully whether Britain should get involved in a foreign conflict, and if so, how to cope with the consequences," said David Cameron, the Conservative Party leader campaigning to win the upcoming parliamentary elections. "Britain will have...