Word: setups
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Dates: during 1960-1969
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...graduate students are in a curious position. They are recruited into specialized programs, and receive specialized degrees. Yet a poll taken last year indicated that about 85 per cent of them are strongly opposed to a split. The interdisciplinary setup is "mercly icing on the cake-but it's really nice icing," said Gregg Thomson, a member of DeVore's committee who had helped coordinate the poll. "It allows for continual growth and transformation," he added, Furthermore, the graduate students have been doing most of the teaching recently. So they have both professional and educational obligations to look after...
...gesture of self-sufficiency by setting up in his own East Village apartment. The girl (Blythe Danner) lives in the adjoining flat. They meet and bedmate, only to have the boy's Mom arrive unexpectedly, as Moms expectably do in plays like this. Mom (Eileen Heckart) inspects the setup like a staff officer suddenly assigned to a colonial outpost full of weird natives and primitive sanitary facilities...
...comparable bases of their own. Last week's Soyuz shots showed that the Russians are already capable of rapidly lofting the huge amounts of equipment required for building in space. For their space troika, the Soviets needed several firing and mission-control centers, a complex three-way communications setup and three separate launch pads. NASA officials confessed that the U.S. would be hard-pressed to match the Soviet feat, since it lacks such vast ground facilities...
...crumpet with his mates." Indeed, Ginger (Victor Henry) and his best mate Dwyer (Jack Shepherd) have a smooth little system for sharing the wealth. They bring the birds back to their adjoining digs, dim the lights, then trade rooms and partners. It's not as cushy as the setup in Two Gentlemen Sharing, but it gets the job done. At least, until Ginger meets Jill, "the special one" (Susan George). "It's been over three weeks and she's still untouched by human hands," Dwyer complains before righting the situation during a drunken brawl. Ginger, shaken...
...much integrity and power-but they do not impose a certain mood upon any scene. Instead one feels them as an intelligent penetration of the action, moving with one's sympathies. Rossellini's camera does not assume positions according to some formal conception of the space and moral setup in which he is shooting. It follows human actions, emphasizing them without stylizing appearances...