Word: seurat
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...First off, bad art tends to be figurative. Garish, unnatural colors seem to be a prerequisite. And much bad art just contains bad subject matter (take, for instance, a bovine form precipitating down what appears to be a waterfall in “Suicide,” or George Seurat relieving himself in the pointillist-style “Sunday on the Pot with George...
...much the way the Internet does now. It both charmed and unnerved them. It brought to painting a novel immediacy, but it also gave back a world that felt weightless and unstable. What we now call post-Impressionism was the inevitable by-product of that anxiety. Artists like Seurat and Gauguin searched for an art that owed nothing to the stale models of academicism but possessed the substance and authority that Impressionism had let fall away...
Early in the 1880s, when his paintings were being excluded from the official salons, Ensor co-founded an alliance of Belgian avant-gardists. Les Vingt - the Twenty - held an annual salon of its own that solicited work from foreign artists including Monet, Renoir and Whistler. In 1887, Georges Seurat contributed nothing less than A Sunday on La Grande Jatte, a tour de force of early modern art. Properly dazzled, a good number of the Twenty became converts to Seurat's pointillism. This was too much for Ensor. He had already dismissed the Impressionists. Who cared about capturing fugitive sunlight when...
...seventh day being one of rest. They warn that family gatherings, leisure activities and even church attendance will suffer greatly as people are forced to don the dominical yoke of labor. Where will the next Renoir get his inspiration for another Bal du Moulin de la Galette? What would Seurat's Sunday Afternoon on the Island of La Grande Jatte be without the Sunday bit? And how to defend the colors against the neighborhood rival if your goalkeeper and best center forward are down at the mall selling garden furniture...
...small, in many ways, has been good for his art. Moving off-Broadway - which he did with Sunday in the Park with George, his groundbreaking work on painter Georges Seurat - proved something of a relief to Sondheim. "I remember being very exhilarated," he says. "I found it liberating. It was nonprofit, so I could indulge myself. We were less worried about the commercial aspects of the piece...