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...than a ramble around Cripple Creek. "They wanted to get more aggressively into imports, so here I am, 23 or 24, on an eight-week trip to Europe, India, Japan. I truly thought I'd gone to heaven." Same thing with decorative pillows: "I had a collection of Seurat and Van Gogh made out of needlepoint in India. I merchandized them as art, not pillows -- $500 apiece. They sold out in one day, so I didn't have time to enjoy the fun." And lamps: "You pick up shells, antique tea cans, baskets, boxes, anything. They wire them...

Author: /time Magazine | Title: ROBIN BURNS:Take This Job and Love It | 8/6/1990 | See Source »

Such a reaction against impressionism was strong among younger painters of the 1880s. They were led by Georges Seurat, whose Sunday Afternoon on the Island of La Grande Jatte, 1884-86, is a manifesto of anti-impressionist aims: a hieratic, pseudoscientific, heavily theorized paean to timelessness, edged with mordant social irony about the mechanization of bourgeois life. For some it made sensuous pleasure look like an insufficient message for art. Impressionism was gaining no new adherents and losing some of its original ones: Sisley had run out of steam by the '80s, and Pissarro had gone over to the younger...

Author: /time Magazine | Title: Art: Letting Nature Reign Resplendent | 3/26/1990 | See Source »

...this generation of museums and their public) definitive exhibitions, done at the highest pitch of scholarship and curatorial skill: late and early Cezanne, Picasso, Manet, Van Gogh, Monet, Degas, Watteau, Velazquez, Poussin, up to MOMA's current show of Picasso's and Braque's Cubist years and, perhaps, Seurat to come...

Author: /time Magazine | Title: Sold! The Art Market: Goes Crazy | 11/27/1989 | See Source »

People with a particular talent -- especially a visual talent -- are seldom the best theorists of what they do. Georges Seurat, for instance, was tiresome on pointillism. So perhaps Richard Saul Wurman, a graphic designer who creates the delightfully unorthodox Access guides to cities, should have left it to someone else to explain how people can organize the overflow of data that saturates contemporary life. Information Anxiety is an intermittently diverting self-help guide, Megatrends crossed with What Color Is Your Parachute? But it is more a collage than a book -- with digressive marginalia, diagrams, stray factoids and snatches of autobiography...

Author: /time Magazine | Title: Bookends: Feb. 20, 1989 | 2/20/1989 | See Source »

...Giorgione's Tempest and his (or Titian's) Concert Champetre, Botticelli's Primavera, Titian's Sacred and Profane Love, Giovanni Bellini's Feast of the Gods, plus any amount of Rubenses, Poussins, Annibale Carraccis, Claudes, Watteaus, Turners and Matisses, not to mention Manet's Dejeuner sur l'Herbe and Seurat's Grande Jatte...

Author: /time Magazine | Title: Art: The Club Med of the Humanists, from Giorgione to Matisse | 12/5/1988 | See Source »

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