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...gloomily expected to die young, like Seurat or Beardsley. In fact he lived on to a great age, until 1944; but the main themes of his work were all set forth well before World War I, and it is on the period from 1880 to 1914 that the show concentrates. Few painters have had more difficult beginnings than Munch. They might have crushed his talent; instead they gave it a permanent irritability. His family was sunk in a kind 'of permanent neurasthenia, the petit-bourgeois provincial twilight known to every reader of Strindberg or Ibsen. He was, almost literally...

Author: /time Magazine | Title: Art: The Master of the Anxious Eye | 11/27/1978 | See Source »

...recognition in the U.S. for painters of his native France; in New York. After serving with distinction in the French, Greek and American armies of World War I, Seligman immigrated to the U.S. in 1921 and inherited his father's art business, Jacques Seligmann & Co. Germain championed Picasso, Seurat and Toulouse-Lautrec as well as earlier French artists whose work had escaped critical acclaim...

Author: /time Magazine | Title: Milestones, Apr. 10, 1978 | 4/10/1978 | See Source »

...masterpieces among erotic paintings made by Western artists in the past 50 years. But the suggestive mood pervades all his work except the landscapes. To encounter it in the mellowed and reduced form of Katia Reading, 1970-76, is still faintly disturbing-as if one of the figures in Seurat's Grande Jatte had turned from its Euclidean stillness and made a gesture of invitation. In terms of formal arrangement, it would be hard to imagine a more organized image than this: the chair could not be shifted an inch, or the angle of the girl's legs...

Author: /time Magazine | Title: Art: The Nymphets of Balthus | 11/28/1977 | See Source »

...press the inquiry further, but Close is restrained by his desire to make drawings rather than diagrams. The ink-drawn squares, each with its precise ration of diagonal shading, give one a visual effect that belongs to the same family - though not the same order of majestic intensity - as Seurat's chalk drawings; the spots of pastel in the stud ies for Linda are distributed with a dogged aesthetic zeal that recalls Signac...

Author: /time Magazine | Title: Art: Blowing Up the Closeup | 5/23/1977 | See Source »

...love drawing; it's very close to the nervous system," Nevelson said. 'Drawing is the root to all art. I think Seurat's small drawings are the tops; they're masterpieces. Dali is another great artist in the way he crystallizes ideas...

Author: By Judith E. Matloff, | Title: Visiting Artist Louise Nevelson Discusses Sculpture And Life | 4/1/1977 | See Source »

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