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Bright Vision. Seurat's The Watering Can, which Paul Mellon presented to his wife as a Christmas present, is a vibrant testimony to the pleasure that the painter found in contemplating his father's garden outside Paris. Says Art Historian John Rewald: "Seurat welcomed the opportunity for small studies on the play of light over shrubbery or fields. To them he gave an incredible delicacy." Bonnard grew old joyously contemplating his own garden at Le Cannet above the shores of the Mediterranean, pursuing an ever more jubilant orchestration of clear blue skies and yellow blooms. Pissarro, the first...

Author: /time Magazine | Title: Art: Garden Party at the National | 3/25/1966 | See Source »

...legitimate ancestry. Cezanne, Seurat and Monet seized upon newly proposed theories of optics when they painted. In this century, such constructivists as Mondrian and Malevich were the forebears of op art's dry, highly controlled use of color, which sometimes-as in the work of Britain's labyrinth-making Jeffrey Steele, 33 (above) -amounts to rejecting color. When they do use color, however, it is to stimulate the first sense directly rather than to enhance forms...

Author: /time Magazine | Title: Art: OP ART: PICTURES THAT ATTACK THE EYE | 10/23/1964 | See Source »

POINTILLIST PAINTINGS-Hirschl & Adler, 21 East 67th. More than 60 works by 19 exponents of the neo-impressionist technique that built up form through the juxtaposition of tiny stippled dots of brightly contrasting colors. Among the masters of the school: Georges Seurat, Paul Signac, Lucie Cousturier, Henri-Edmond Cross, Hippolyte Petitjean, Camille and Lucien Pissarro. Through...

Author: /time Magazine | Title: Art In New York: Art: Dec. 6, 1963 | 12/6/1963 | See Source »

...Most Beautiful Palette." The impressionists and Cezanne, says Critic Cachin, insisted that Delacroix had "the most beautiful palette in French painting." Rodin admired him "as the painter of movement," and Renoir considered Delacroix "the essential link" between him and Rubens and Titian. Seurat said of his theory of color that "it represents the most rigorous application of scientific principles interpreted through a personality." Matisse and Van Gogh had Delacroix reproductions on their walls, and Kandinsky was in debt to Delacroix when he began formulating his theory on the correlation of color and the states of the human soul...

Author: /time Magazine | Title: Art: He Had a Sun in His Head | 7/26/1963 | See Source »

...work often suggests stale Disney sprinkled with Kitty Litter, but at one point the picture wittily displays Mewsette as she might have been painted by Monet, Van Gogh, Seurat et al. Judy Garland, as the voice of Mewsette, yowls enchantingly. And even those who think that the plot is a very old sardine may admit that it is often amewsing, in a clever script by Dorothy and Chuck Jones, to read between the felines...

Author: /time Magazine | Title: Cinema: Well, It Isn't a Dog | 12/21/1962 | See Source »

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