Word: seurat
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...flute. The subject and Wardsworth's careful painting suggest comparison with the primitive, Theodore Rousseau, although the atmosphere is not quite so mysterious or internal. In another oil painting honored by the judges, "Meyer Gate," Donald Outerbridge uses the staccato brush technique of the pointillists to create a Seurat-like composition...
...develop an instantly recognizable style, and stick to it. By ignoring this rule Steinberg has made himself the Picasso of the profession. He can enclose what he sees in a few simple lines, like bent coat hangers, or dissolve it into a haze of dots, a la Seurat. He draws on top of photographs, and occasionally draws imitation snapshots. He can and does mimic passports, old maps, and documents with ink drawings that look fairly convincing and 100% illegible. He will make a thumbprint do for a man's face, a chest of drawers for an office building...
...stimulating arrangements as Pink Tablecloth and Blue and Red Guitar. Matisse was represented by eight works, notably a riotously colored Odalisque with Flowers and a small, masterfully composed Open Window at Etretat. There were also excellent pictures by other artists in whose work Rosenberg has dealt: Edgar Degas, Georges Seurat and Pierre Auguste Renoir, whose appetizing La Source-an amply bosomed nude sitting beside a running fountain-showed the luscious tints and easy symbolism that make Renoir popular even with beginners in art appreciation...
...first tried formal study in the city's Academic Ranson, but soon gave it up. Ghika got his own studio, met Picasso, Braque, and Jean Arp, and learned the hard way. At first, he copied the impressionist manner of Renoir, then progressed to Cézanne and Seurat, and finally found what he was looking for in cubism. When Ghika held his first Paris show in 1927, it was a near sellout...
...zanne dabbed, he did not dot (like Seurat) or dash (like Monet). The vibrations of light, which so fascinated his impressionist friends, left him cool. "I know nothing except color," he explained, and added: "Light is but one tone of a place; shadow is another." Mainly through color, Cézanne recreated the deep sunny space of L'Estaque, a canvas which combines the repose of a pyramid with the lightness of air. Through color he made Madame Cézanne look fixed and solid as a newel post (she was a patient poser but a flighty creature, seldom...