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...Rockefeller leading, 160 members produced $630,000, including $100,000 from the Carnegie Corporation. Promising the other $120,000 the Museum found itself the proud owner of a collection of Cezannes equaled only by those in Moscow and the Barnes Foundation in Merion, Pa., the finest group of Seurat drawings in the U. S. and 59 other important works. In 1932 the Museum moved from the Heckscher Building around to its present quarters on West 53rd Street...

Author: /time Magazine | Title: Art: 53rd Street Patron | 1/27/1936 | See Source »

...Picasso or Braque whom Mr. Craven damns with glee. Most readers will find his statements as exhilarating and convincing as a homerun. Art dealers and Francophile connoisseurs will be less pleased with what he has to say. Examples : ". . . After 60 years of exploitation, the best examples of Impressionism [Manet, Seurat, Whistler, Pissarro, Monet] are controlled by the original underwriters, Durand-Ruel, which firm slowly releases its enormous stock at propitious moments. . . . Actually they are worth from $25 to $50, but they are sold in terms of old masters-according to scarcity values. "It is talk that keeps Picasso...

Author: /time Magazine | Title: Art: Craven on Moderns | 5/14/1934 | See Source »

...believed that this collection is one of the largest ever to be displayed in this part of the world. Among those artists represented are Seurat, Cezanne, Daumier, Van Gogh, and Aingres. Included in the list of those who have loaned drawings and prints for this exhibition are Mr. McIlhenny, Mrs. John D. Rockefeller, Jr., Mr. W. G. Russell Allen...

Author: NO WRITER ATTRIBUTED | Title: 19th Century French Work Exhibit at Fogg Museum | 3/21/1934 | See Source »

...Rijn's Aristotle with the Bust of Homer from Duveen Bros.; Gustave Courbet's La Toilette de, la Mariée from Smith College: Whistler's Portrait of My Mother; Auguste Renoir's The Canoeists' Breakfast from Phillips Memorial Gallery (Washington. D. C.); George Seurat's Un Dimanche à la Grande Jatte from the Art Institute...

Author: /time Magazine | Title: Art: Biggest Show | 5/29/1933 | See Source »

...arrangement of the paintings will show, is a history of the liberation of the artist. The steps by which the Impressionists and Post Impressionists established this freedom, and its particular adaptation by the Cubists, the Expressionists and the Post War Group are outlined in the exhibition. Monet, Seurat, Cezanne, Van Gogh, Gauguin, Degas, Matisse, Picasso, Marc, Villon, Leger, Cocteau, Lurcat, Hugo are a few of the artists shown. A statement of the chief interest and contribution of each will be printed under the paintings...

Author: NO WRITER ATTRIBUTED | Title: HARVARD SOCIETY FOR CONTEMPORARY ART HAS DISPLAY | 10/30/1931 | See Source »

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