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...unveils "Chicago's Dream, a World's Treasure," a show of some of the choicest works from the 260,000-piece permanent collection. The 350-piece exhibit includes a number of works that are rarely seen owing to their fragility and sensitivity to light. Among the highlights: Seurat's A Sunday on La Grande Jatte -- 1884, the masterpiece most closely identified with the institute; Rembrandt's Young Woman at an Open Half-Door; Degas's pastel On the & Stage; Cezanne sketchbooks; Picasso prints and Walker Evans photographs. Through...

Author: /time Magazine | Title: Traveler's Advisory- | 10/18/1993 | See Source »

Eighty-two paintings by Renoir, Cezanne, Seurat, Van Gogh, Soutine and Matisse, among others...

Author: /time Magazine | Title: Art: Opening The Barnes Door | 5/10/1993 | See Source »

...world's most stunning and least seen collections of Impressionist and Postimpressionist art, 1,100 works by such masters as Cezanne, Seurat and Picasso (whose Jester and Young Harlequin is at left), was long confined to the Barnes Foundation building in a Philadelphia suburb, under the terms of Dr. Albert Barnes' will. But 70 pieces will soon be permitted a one-time international tour, according to a ruling issued last week by a Pennsylvania court that settled part of a bitter factional dispute within the foundation. The show will travel to the National Gallery of Art in Washington and possibly...

Author: /time Magazine | Title: On Tour At Last? | 8/3/1992 | See Source »

...prints and drawings by Henri de Toulouse-Lautrec, after an earlier run at London's Hayward Gallery, rounds off the great series of overviews of 19th century French artists given us by French, American and English museums over the past 15 years. Every one of these -- Manet, Courbet, Cezanne, Seurat, Monet, even the disappointing Renoir -- has altered the way one thinks about the achievements of French art and deeply revised one's view of the individual painters. The Toulouse-Lautrec show, curated by an English art historian, Richard Thomson, and two French ones, Claire Freches-Thory and Anne Roquebert...

Author: /time Magazine | Title: Art: Cutting Through The Myth | 3/9/1992 | See Source »

Police suspect the involvement of insiders in many artful scores. Early this year the Grand Palais in Paris spent $1 million on extra security and $590,000 on insurance for a major retrospective of Georges Seurat. The exhibitors grouped sketches together in cases and bolted paintings onto the walls. But a small Seurat drawing, Le Cocher de Fiacre, vanished after video and alarm systems had been turned off and before guards had started their rounds. The smell of a rat is even more pungent in raids on storage rooms. According to a police survey, 57.8% of all thefts of paintings...

Author: /time Magazine | Title: Art: It's A Steal | 11/25/1991 | See Source »

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