Word: sevens
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Dates: during 1950-1959
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...Negro clergyman ("He don't say nothing about my fighting-everybody likes a winner, man"), Moore was already a professional of sorts at the age of seven, fighting in impromptu preliminaries in Springfield's Memorial Hall and pulling off his gloves to scramble for the nickels and dimes that were tossed into the ring. By 1952, Bantamweight Moore was good enough to win the A.A.U. title, reach the quarter-finals of the Olympics. Turning pro the next year, Moore seemed to be only a so-so fighter until 1957, when he suddenly came alive, has since...
...once a semi-pro pitcher, Murph himself explains: "I just throw as hard as I can. I figure if I let up, someone might hit it." And being hit is the one thing Murph has not been able to stand since he pitched his first game as a seven-year-old and lost, 44-1. Says Mrs. Murphy: "Those people that complain didn't see him when he used to cry because he couldn't keep the batters from hitting...
...Smith's Charm (circ. 635,706) with Conde Nast's Glamour (circ. 671,441), will otherwise keep the firm intact as a subsidiary of Conde Nast. Street & Smith lost better than $200,000 last year, but this is a condition that Sam Newhouse, whose 14 newspapers and seven radio and TV stations comprise a productive $175 million chain, intends to correct...
Lata learned her trade long before she ever saw a movie. She roamed India with her actor father, joined his touring company at the age of seven, was singing Indian classical music in public at eight, was barely 13 when she landed her first playback job. For a while, producers managed to keep her ignorant of her growing popularity. "They were afraid I would ask for more money," she explains. Eventually Lata caught on. By 1949 her movies were all over the country, and her songs were played everywhere, including remote rural areas where villagers clustered around wind-up gramophones...
...Kinds of Cars. Today Lata's seven-day-a-week schedule earns her about 175,000 rupees a year ($37,000), a fabulous income for an Indian working woman. She could probably make more, but she handles her own finances, a foredoomed undertaking considering the uncertain economics of the Indian cinema. Rubber paychecks pile up, and she is never quite sure who owes her what. "It is embarrassing to ask for money," she says. Even so, she makes enough to maintain a Bombay apartment and a summer home in the hills. She has a Chrysler, a Chevrolet, five long...