Word: sevens
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Dates: during 1960-1969
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...claim to "truth" and the banishment of the CRIMSON editorial board to obscurity. But it seems to me that, while not necessarily agreeing with the CRIMSON stand, there is unquestionably a moral and scholarly basis for agreement. The U. S. Army has presumably been fighting more than ghosts for seven years, and the goals and motivation of the forces that have withstood that onslaught, the National Liberation Front, are at least worthy of respect. In any event, the self-righteous claim to wisdom fo the Harvard experts cannot be taken seriously...
Mann is wanted on seven counts for the CFIA disruption - three of assault and battery, two of disturbing the peace, one of defacing a school building, and one of disturbing a school assembly. Olson is wanted on two counts of assault and battery and one of disturbing the peace, and Nies on one count of disturbing the peace...
...Plaza, the demonstrators plan to march into the administrative building, leaving 200 members there to occupy office during the atternoon. The rest of the group will attempt to enter and hold the Center for International Studies until 1 p. m. in support of demands that M. I. T. halt seven war-related research projects...
Solomon Gomez scored once and added two assists against Dartmouth to take the lead in the Ivy scoring race with seven points. Gomez has scored in every Ivy game and also leads the league with four goals. The only other Ivy player to score in every match is Penn's Tom Lieberman, who has scored for the Quakers in every game this year. Either Lieber-man's scoring streak or Meyers' shutout string will be ended on Saturday...
Edgar Varese's Octandre (1924), one of the two modern works, did not compare favorably with Stravinsky's pivotal Movements for Piano and Orchestra (1959), with Harvard's Luise Vosgerchian as soloist. Octandre, for seven winds and contrabass, seemed individual but not highly original, consisting of some explorations of the percussive possibilities of wind articulation, propulsive rhythms, and generally uninteresting timbres. The piece seems much less provocative than the contemporary experiments of Hindemith, Bartok, Schoenberg, and Cowell. The Movements, however, a strictly twelve-tone piece, is characterized by pellucid, crystalline registration, pointillistic rhythmical control, and Stravinsky's unique unsentimental lvricism...