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...Seventeen from One. Automation on the farm is not a new idea. The big push came in the last 15 years, mothered by wartime necessity when the demands for food were huge and the shortage of manpower crippling. In the 1850s about 80% of the U.S. population lived on farms; today, the figure is only...

Author: /time Magazine | Title: Business: AUTOMATION ON THE FARM | 7/4/1955 | See Source »

Before Japan can cross the threshold to full membership, two-thirds of GATT's 34 members must approve her entry. Seventeen nations, including the U.S., already have signed or are negotiating contracts with Japan under the GATT regulations...

Author: /time Magazine | Title: JAPAN: The Open Door | 6/20/1955 | See Source »

...festivals can offer a patroness named Kunigunde, or a liver cure, but in their own way, 43 villages, towns and cities in West Germany are staging "musical manifestations" this summer. In the rest of Europe, from Mediterranean to Baltic Sea, there are some half a hundred more. Seventeen of them have found it advisable to band together to avoid conflicts in scheduling, programming and hiring of artists, and to prevent rivalries from breaking...

Author: /time Magazine | Title: Music: Europe by Ear | 5/30/1955 | See Source »

This eloquent book bears a Danish boy's precocious witness to the hard scriptural paradox that he who loses his life shall find it. Seventeen and in love, Kim knocks around the Baltic as an apprentice on a three-masted schooner, fighting for peace within, while World War II rages around him. Soon this unschooled lad, who can write so tenderly to his sweetheart ("May you sleep as sweetly as a water lily on a pond"), is looking into the hearts of others-the cough-racked Finnish soldier riding a blacked-out bus near the front, the old Danish...

Author: /time Magazine | Title: Books: Above Pain or Fear | 5/9/1955 | See Source »

...Musical Society's performance is true to the authors in all respects. The seventeen-piece orchestra, including banjo, accordion, and harmonium, gave each of Weill's melodies the rich, lively treatment it deserved. Howard Brown's entire musical direction seemed devoted to finding just the right expressions within Weill's jazz idiom and successfully capturing them...

Author: By Arthur J. Langguth, | Title: The Threepenny Opera | 4/29/1955 | See Source »

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