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...black velvet, John Gielgud came as "Night." On a white horse Gertrude Lawrence came as "Day." Mrs. S. Stanwood Menken, "Silver Rain," wore 600 yards of silver-lined bugle fringe, a headdress six feet wide illuminated with blue neon tubes. Gypsy Rose Lee wore spangles. That was the seventeenth Beaux-Arts Ball which took place at Manhattan's Hotel Astor last week...

Author: /time Magazine | Title: Education: School Ball | 12/14/1936 | See Source »

Dignity, truthfulness, and care make the Korda-Laughton "Rembrandt" an outstandingly fine movie, one as strong and vivid as the central character. Stooping to neither thrill nor pathos the picture sweeps majestically over seventeenth century Holland, silhouetting the rugged simplicity of the painter by contrasts with petty people about him. Historical accuracy and first-rate camera work show that Hollywood on the Thames is learning the American tricks...

Author: By M. O. P., | Title: * The Moviegoer * | 12/12/1936 | See Source »

...still a tight little Puritan bud there was an enforced unanimity or religious sentiment that we nowadays find difficult to understand. Man was damned, utterly completely horribly and Calvinistically damned, and there might be no mistake about it. Michael Wigglesworth, graduate, and tutor at Harvard in the middle seventeenth century, showed God's judgment in his "Day of Doom...

Author: NO WRITER ATTRIBUTED | Title: The Vagabond | 11/9/1936 | See Source »

...pages are devoted to scholary essays on different phases of the cultural exchanges between Harvard and France, both in the past and in the present. No attempt is made to treat the subject exhaustively or systematically. For example, the line of descent from the Mediseval University of Parls to seventeenth century Harvard is not described, nor is there any discussion of the place occupied by Calvin and the other French Reformers in the seventeenth century Harvard mind. But the essays do succeed admirably in suggesting the variety and the fruitfulness of the contacts between Harvard and French culture. Since...

Author: By Instructor IN French and Howard C. Rice, S | Title: The Crimson Bookshelf | 10/14/1936 | See Source »

Another technician mentioned by Mr. Greene is Graham Carey '14 who designed the official Tercentenary Medal. The design follows very closely upon the usage of the seventeenth century. Further, old methods of die-cutting were used by the metal founders, so that the finished product is in a fitting ancient style...

Author: NO WRITER ATTRIBUTED | Title: "300TH PROVED FAITH OF WORLD IN HIGHER EDUCATION"--GREENE | 9/30/1936 | See Source »

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