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...scripts from their experiences and obsessions. Both worked fast - at least a movie a year for most of their long careers - and relatively cheap. Both forged long relationships with their sponsoring studios. And Bergman was a strong influence on Allen's work: from his New Yorker parody of The Seventh Seal, "Death Knocks" (in which the hero plays not chess with Death but gin rummy) to a cameo by a Grim Reaper in Love and Death and, more deeply, the inspiration for the theme and tone of Interiors and Another Woman...

Author: /time Magazine | Title: Woody Allen on Ingmar Bergman | 8/1/2007 | See Source »

...fair to say you're first and foremost a Bergman guy, and that you have been for 50 years. There were a lot of young people in the '50s who saw Bergman's films - usually it was The Seventh Seal - and were overwhelmed with an almost religious conversion. And the doctrine of this religion was that film...

Author: /time Magazine | Title: Woody Allen on Ingmar Bergman | 8/1/2007 | See Source »

...agree. For me it was Wild Strawberries. Then The Seventh Seal and The Magician. That whole group of films that came out then told us that Bergman was a magical filmmaker. There had never been anything like it, this combination of intellectual artist and film technician. His technique was sensational...

Author: /time Magazine | Title: Woody Allen on Ingmar Bergman | 8/1/2007 | See Source »

...obsession. He was brought up religiously [his father was a Lutheran minister] and it wasn't simply a question of atheism or not. He longed for the possibility of religious phenomenon. That longing tortured him his whole life. But in the end he was a great entertainer. The Seventh Seal, all those films, they grip you. It's not like doing homework...

Author: /time Magazine | Title: Woody Allen on Ingmar Bergman | 8/1/2007 | See Source »

...Daniel (Sunday's Children) and Bille August (The Best Intentions). But the vogue had passed. He'd had a lock on the high end of popular culture, but by the '80s there was no high end; low was now high. A tribute song by Van Halen, The Seventh Seal ("broken now I can't help but feel / someone cracked the seventh seal / nothing sacred, nothing left unturned / when nothing's simple / then nothing's learned / so take me down to the virgin spring / wash away my suffering, oh"), was itself an anachronism...

Author: /time Magazine | Title: Why Ingmar Bergman Mattered | 7/30/2007 | See Source »

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