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Felitti wondered if there was something similar barring weight loss in other patients - or causing obesity itself. In the late '80s, he began a systematic study of 286 obese people, and discovered that 50% had been sexually abused as children. That rate is more than 50% higher than the rate normally reported by women, and more than triple the average rate in men. Indeed, the average rates of sexual abuse are themselves unsettling: according to a large 2003 study conducted by John Briere and Diana Elliott of the University of Southern California, 14% of men and 32% of women said...

Author: /time Magazine | Title: How Childhood Trauma Can Cause Adult Obesity | 1/5/2010 | See Source »

...recent years, studies by both Felitti and others have largely confirmed the association between sexual abuse - as well as other types of traumatic childhood experience - and eating disorders or obesity. A 2007 study of more than 11,000 California women found that those who had been abused as children were 27% more likely to be obese as adults, compared with those who had not, after adjusting for other factors. A 2009 study of more than 15,000 adolescents found that sexual abuse in childhood raised the risk of obesity 66% in males in adulthood. That study found no such effect...

Author: /time Magazine | Title: How Childhood Trauma Can Cause Adult Obesity | 1/5/2010 | See Source »

...those living outside Britain, the pantomime (or panto for short) can seem like a bizarre, and perhaps inappropriate, Christmas tradition. In the shows, theater companies take popular children's stories such as Aladdin, Cinderella and Snow White and spice them up with audience participation, cross-dressing, double entendres, sexual innuendo and deliberately hammy acting. Big stars have become a staple of the most lucrative shows in recent years - Henry Winkler, a.k.a. the Fonz, is currently starring as Captain Hook in a pantomime of Peter Pan in Liverpool, following in the footsteps of actors like Steve Guttenberg and Mickey Rooney. When...

Author: /time Magazine | Title: It's Panto Season in Britain, Baywatch-Style | 12/28/2009 | See Source »

...Lewis, an actor nearly the opposite of Bardem. He's coiled, wary, and has a spirit that's not even slightly Mediterranean. In 8-1/2, Mastroianni was such a natural charmer - so, we have to say, Italian - that he made indolence attractive; in that film, a perpetual sexual adolescence was not a flaw but a goal (especially because women kept throwing themselves at him, and what woman wouldn't?). Day-Lewis has wit, looks and a furious dedication to every role, but he's so tense and intense that he can't unleash the showman that...

Author: /time Magazine | Title: Nine: Not a 10 and Certainly Not an 8-1/2 | 12/25/2009 | See Source »

...odious that the affair makes little sense. It's not Baldwin's fault; he's good at being bad, and Jake's awfulness does lend itself to comedy of the oh-no-he-didn't variety. "Home!" Jake proclaims, as he lies in bed with Jane after their first sexual encounter in a decade. This would be sweet, if he weren't saying it as he's clapping his hand over her groin with all the subtlety of a baseball player adjusting his cup. It's almost as if her womanhood was chattel he mislaid and is now reclaiming...

Author: /time Magazine | Title: It's Complicated: But Not Complicated Enough | 12/24/2009 | See Source »

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