Word: sexualism
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...simple soul content to live out a life of low-paying odd jobs. Jack is more restless--a not very successful rodeo rider when the spirit moves him but also a man for other, upwardly mobile opportunities. He's the one who initiates their first sexual encounter, although in the act itself he plays the passive role while Ennis is the aggressor. On the other hand (and that ambiguity is one of the film's strengths), in the rest of their relationship Ennis plays the elusive, more feminine role, and Jack is his determined pursuer...
...those cute little Van Morrison subject headings now read forced instead of funny. A heading left blank, however, screams indifferent, and “Re: re: re: hey,” convinces me you just don’t care. Good e-mail correspondence can create quite the sexual tension, I’ll admit, but well-thought-out words risk an eventual let-down (“He sounded much wiser on the Web”). Speaking of smart, what’s with the torrent of typos? Revise your ranting for my sake at least...
...sets the tone for the interview. In the end, what emerges is a surprisingly profound discussion of the art of acting, musical inspirations, and opportunities for human redemption. But lifting the weighty themes is some lighthearted banter—and at least one mention of a “sexual bus stop in purgatory.”CRYSTALLIZING THE CHARACTERSCusack plays Charlie Arglist, a mob lawyer who, as the narrative begins, has just conducted an apparently successful heist of $2 million on Christmas Eve. The victim is Bill Guerrard (Randy Quaid), the Godfather of the Kansas City crime syndicate...
...named Kat, played by Catrin M. Lloyd-Bollard ’08, rebukes her would-be lover Poppy (Edward Hichez), the interpreter translating Kat’s part actually looked vividly angry while the interpreter translating Poppy’s part looked suitably pathetic. Later, when Kat described her sexual plans for the night to her lesbian lover “B,” played by Zia A. Okocha ’08, the interpreter—rolling her eyes, throwing back her head, and arching her back—seemed utterly consumed with desire. Leon Jefita, a hearing...
...Juicebox” video has enough bravado to fill a bathtub or two. Over a pilfered bass riff, the video bounces between the requisite studio shots and semi-randomized staged hook-up hijinks. Really, “bounces” is an understatement: the slew of sexual scenarios trotted out before our eyes are enough to dizzy the hardiest of fans. Images of a B-movie shot atop an apartment building are interspersed with those of an old woman scrubbing the floor on hands and knees, and both are equally titillating to unfunny sometime-comedian David Cross, whose inclusion...