Word: sexuality
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Dates: during 1970-1979
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...apple, or was this the doorway to Eden? No one could say. But presumably because of the pain involved, the addition of women students has been taken in small doses. Even now, only 30% of the students are women. Their uneasy presence, plus coed dormitories and steadily changing sexual mores, have taken some of the old frenzy out of carnival. This is not to say that Dartmouth has now achieved a kind of truce in the ancient battle of the sexes, that easy friendliness and naturalness that unisex advocates always confidently predict. Dartmouth women feel alternately belittled and beleaguered. Says...
...fault is surely not Field's or Leibman's. Each is at once tough and vulnerable and, above all, engagingly high-spirited. And their roles are well written. Norma Rae's somewhat checkered sexual history, we come to understand, represents the only locally available outlet for a venturesome, restless but essentially very moral spirit. She has, we see, merely been waiting for something more rewarding to occupy her energies and her realistic, feisty if untutored mind. The character of Reuben, the organizer, represents a triumph of sorts. He is the first accurate representation onscreen of a type...
...their parents. Perhaps both child abuse and child pornography can be regarded as merely aberrational; some child abuse is actually a bent expression of too much caring, and kiddie porn (both the selling of it and the taste for it) may be just a ragged, ugly leftover of the sexual revolution. Still, the profound hostility accumulated in all that child abuse and pornography could be used to wage a medium-sized...
...proper homage to his life and presence as well as his art was the double take. In the midst of a movement, surrealism, which specialized in attention-getting stunts, political embroilments, sexual scandals and fervid half-religious crises, Magritte-next to Max Ernst and Salvador Dali, the best surrealist painter -seemed to be all phlegm and stolidity. He lived in respectable Brussels; he stayed married to the same woman, Georgette Berger, for the rest of his life; by the standards of the Paris art world in the '30s, he might as well have been a grocer. Yet Magritte possessed...
...first level, Magritte's art produced some of the most disturbing images of alienation and fear in the lexicon of modern art. There is no more chilling icon of the failures of sexual communication than The Lovers, 1928, with two anonymous (but inescapably similar) heads kissing through their gray cloth integuments. Nor are there many paintings that sum up the pathos of fetishism-the substitution of a symbolic part for the desired whole-more acutely than In Memoriam Mack Sennett, 1936, in which a woman's negligee, hanging on its own in a closet, has developed a forlornly...