Word: sexualize
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Dates: during 1980-1989
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Even so, for years most Americans were content to imagine the Latin world as a tropical paradise or a giant border town, a torrid zone just across the line of sexual decorum, that most heavily policed boundary in the American psyche. Though that image is being discarded, it is not going without a fight. In a Miami department store not long ago, the Cuban-born fashion designer Adolfo, a favorite of Nancy Reagan's, was pained to overhear two women express surprise that he was the creator of a collection that was elegant and simple. "Obviously," he laments, "they just...
...Soviet soldiers march into a Ukrainian village and, at their leader's heartless command, shoot down a deserter. Just another businesslike day in the life of Commissar Klavdia Vavilova (Nonna Mordukova). But even in a revolution that boasts of sexual equality, women will get pregnant. Vavilova must bear her child in the hovel of a Jewish tinsmith (Rolan Bykov) and his family. Their enforced intimacy sparks a cultural exchange: the commissar becomes feminized, and the tinsmith's wife (Raisa Nedashkovskaya) becomes a bit of a feminist. Outside, though, the Jew's children are taunted and tortured in a kind...
...material, however, has quite the impact of the best old stories. Feathers is a marvel, 18 pages that contain as many true surprises as a protracted piece of trickery by John Fowles. What We Talk About When We Talk About Love gets to the heart of sexual passion and its black aftermath. Both stories place an established couple in a charged, awkward confrontation with another couple -- a Carver specialty. He is 50 now, and considered a hot writer; 25 years after he began fashioning these tough, unliterary works, they are being picked up eagerly as emblems of late...
BEFORE Edward Albee wrote that famous sexual shouting match, Who's Afraid of Virginia Woolf?, before he was too old to be an Angry Young Play-wright, he wrote two one-act attacks on convention, complacency and middle-class values. Thirty years later, The American Dream and The Zoo Story have lost some of their relevance--and thus some of their power to disturb the complacent viewer. But Albee's disarming absurdity and brutal frankness remain, and thanks to a talented Harvard/Radcliffe Summer Theater company, those qualities can still make audiences squirm in their seats...
...through repeated drawings and paintings he has given the portly form of his friend and promoter Henry Geldzahler an abiding recognizability: one knows that stomach like the knob of Mont Ste.-Victoire. And then, inseparable from Hockney's skill and lack of pretension, there is his candor about sexual matters, which is no more titillating today than it was shocking in the early '60s. It is simply there, part of the work, like Bonnard's liking for peaches...