Word: sexualized
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Dates: during 1990-1999
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When this policy was first formulated in 1993, the Pentagon and Joint Chiefs of Staff justified it by saying the combat readiness of heterosexuals would be undermined by the presence of homosexual servicepeople. However, this implies some fundamental difference in ability between soldiers of different sexual orientations. Numerous gay soldiers have served with distinction in the armed forces, even while saddled with the added burden of keeping their sexual orientation secret. But as soon as the soldiers' homosexuality was revealed they were quickly discarged and their medals and honors were trampled over...
...policy's ambiguity opens the door to misunderstanding and misinterpretation as well. It offers no way of dealing with the issue of an individual's sexual orientation once it surfaces. As in the Winchell case, the rumors about his sexual orientation started when he went to a gay club in Nashville with another member of his platoon. While later testimony confirmed Winchell's homosexuality, heterosexuals can, and have, attended gay clubs. His sergeant informally investigated the matter of Winchell's sexual orientation but only came up with suspicions and no concrete evidence. Yet he did nothing to protect Winchell from...
Although the "don't ask, don't tell" policy allows homosexuals to enter into the armed forces, their service is contingent on their ability to keep their sexual orientation under wraps. Their military success is directly dependent on their ability to be dishonest...
...only solution is allowing complete openness in sexual orientation. No longer would there be whispered rumors and unfounded suspicions that escalate into finger-pointing and abuse. With the issue out in the open, soldiers would be forced to accept their gay peers as individuals unique in their own right, not as strange marginalized beings...
Another chief challenge of the production is the quick, stop-and-go language and the equally rapid change of tactics behind each line. Glengarry Glen Ross follows in the playwright's tradition of plays such as Sexual Perversity in Chicago and the Pulitzer Prize-winning American Buffalo, famous for the fast-paced, in-your-face language that Mamet prefers to call "poetry" rather than realism. Ruiz directs his cast according to Mamet's concept of "practical aesthetics," which emphasizes intention and reaction. The actor's mind must work quickly, switching from one tactic to another in order to get what...