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Signatures were being solicited for a , modified statement outside dining halls and the Union at yesterday. As reasons for to the marchers, the shorter document claims categorically that "The government will not reciprocate unilateral initiatives" and that march "flouts the deliberative style" to democratic self-government. Richard T. Seymour '64 and James D. '64, who composed and circulated second document, stressed that no organization was behind it. They no idea what they will do with the , according to Parry...

Author: NO WRITER ATTRIBUTED | Title: Students Protest Project Washington | 2/17/1962 | See Source »

...Death Knell. The sophistication of appeals to the Negro market is increasing, but still leaves much to be desired. Says Frank Seymour, general manager of Detroit's Negro radio station WCHB: "Too many advertisers have failed to grasp a simple point: ask the Negro for his business with courtesy and respect. Don't talk down to him and cut out the Amos 'n' Andy bit." Like many Negro marketing experts, however, Seymour believes that the progress that U.S. Negroes are making toward economic and social equality will eventually make special appeals unnecessary. He predicts that within...

Author: /time Magazine | Title: Retailing: The Negro Market | 2/9/1962 | See Source »

...FCAS: Thomas D. Bolles, Director of Athletics and Chairman of the Committee; John M. Bullitt '43, Master of Quincy House and associate professor of English; Dana L. Farnsworth, director of University Health Services; Delmar Leighton '19, Master of Dudley House and member of the Faculty of Arts and Sciences; Seymour E. Harris '20, Lucius N. Littauer Professor of Political Economy...

Author: NO WRITER ATTRIBUTED | Title: UAC to Disclose Report on NCAA After Faculty Decides Hockey Issue | 1/29/1962 | See Source »

...celebrated for love of art, have in their midst a museum envied throughout the U.S. Contemporary artists hold few places in higher esteem than the Albright Art Gallery. And there are few men for whom the dealers of Manhattan. Paris or London have more respect than its principal patron, Seymour H. Knox, 63. A small (5 ft. 5 in.), peppery man who is a crack polo and court tennis player as well as a director of six major companies (Marine Midland Trust Co., F. W. Woolworth), Knox is a born enthusiast-and his chief enthusiasm is modern...

Author: /time Magazine | Title: Art: Shorty's Triumph | 1/12/1962 | See Source »

Today, thanks to Seymour Knox, the gallery's major claim to fame is as a showcase of contemporary abstraction. By 1939 Knox was president, and that year Director Gordon Washburn, now director of fine arts at the Carnegie Institute, set aside one room for abstract art. For a while all purchases went through a committee, but Knox soon grew impatient with the wrangling. "I decided," says Knox in his no-nonsense way, "that I was providing most of the money, so I should have more to say about what we bought-with the help, of course, of the gallery...

Author: /time Magazine | Title: Art: Shorty's Triumph | 1/12/1962 | See Source »

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