Word: sforzandi
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Dates: during 1990-1999
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...performance of the Dvorak maintained a strong forward momentum, the tempi in all but the second movement appropriately quick and flowing. The tight sforzandi that are so characteristic of this work were attacked consistently and with amazing precision. Subtle changes in tempo within movements were elegantly executed, as well as dramatic changes in dynamics, moving easily between thundering chords and delicate melodies. Particularly notable were the passionate development in the opening movement, the excellent phrasing of the slower second movement and the move to the overwhelming climax in the finale...
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