Word: sforzandi
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Dates: during 1967-1967
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Much of this well-advertised talent was in evidence Saturday night. Adams is a musician who knows what he wants. His conducting alternates between the subtle and the demonstrative, with a youthful tendency to exaggerate contrasts. In the Haydn Symphony No. 99 he turned sforzandi into Beethovenian Hammerschlage, while in Milhaud's La Creation du Monde the battery of percussion often overwhelmed the rest of the ensemble in periodic fits of exuberance...
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