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Word: sha (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

FRIDAY: John Lennon and Yoko Ono The Lennons host Stevie Wonder, Sha Na Na, and Roberta Flack in an all-star performance from Madison Square Garden. Ch. 5. 10 p.m. Color. 60 min. SATURDAY--Viva Maria Brigitte Bardot and Jeonne Moreau play Maria I and Marin II, two strip-tease dancers caught up in a Central American revolution in this 1965 Louis Malle directed French slapstick. CH. 4. 9 p.m. Color. 2hrs .15min...

Author: NO WRITER ATTRIBUTED | Title: television | 12/14/1972 | See Source »

...vista gazed upon-by the status of Columbia's Alma Mater which was dynamited in 1969. It was the escape route for the first unhappy undergraduate to ever cut through University red tape by shooting the Assistant Dean of Students. And it was the scene of the first Sha-Na-Na Concert. Today it will assume another niche in history, when it provides the playing for the Crimson's 300th consecutive touch football victory. The Columbia Spectator will look on in awe as the Crime rolls...

Author: By Bvevanw. Thomas, | Title: On the Bench | 10/14/1972 | See Source »

...feels a need to pay homage to the originators. The Stone's always include one or two Chuck Berry numbers in their concerts, Jimi Hendrix always liked to play "Johnny B. Goode" and even at the Concert for Bangladesh the band gave a rendition of the '50s rocker "Youngblood." Sha Na Na attempts to create '50s rock both physically and musically...

Author: By Henry W. Mcgee iii, | Title: Gimme That Ol' Time Music | 4/15/1972 | See Source »

...next logical progression after Sha Na Na's elaborate parodies of the old greats was for the musicians of the "70s to join forces with their idols of the '50s. It was no surprise, then, when several of the Rolling Stones showed up at a recent Chuck Berry concert to jam with the master...

Author: By Henry W. Mcgee iii, | Title: Gimme That Ol' Time Music | 4/15/1972 | See Source »

...grooves of a single LP. Written and arranged by Producer David Axelrod (Electric Prunes), conducted by the jazz world's Cannonball Adderley, the RCA Messiah has something to offend everyone. For lovers of vocal style, there is singing that would not pass muster in the 1950s-parody group Sha-Na-Na. For devotees of pure rock, there is numbingly dreary rhythm and somnolent guitar work. For connoisseurs of modesty, there is this blurb on the record jacket by the album's producer, Ronald Budnik: "It is hoped that Axelrod's work will bring to light and punctuate...

Author: /time Magazine | Title: Music: Pop Goes the Bible | 2/28/1972 | See Source »

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